Research Register
Research interests of ADSA members
The ADSA research register records the research interests of ADSA members in theatre, drama and performance studies.
You can use the research register to
- find out what research is currently being undertaken by ADSA members;
- look for assistance with dramaturgical research for your forthcoming productions;
- find a collaborator who might be interested in documenting and writing about major productions, companies, etc; or
- find possible supervisors for a higher degree or prospective examiners for MA and PhD theses.
Anthony Adah (Grad Drama Centre, University of Toronto)
Major: Aboriginal Cinemas (Australia, Canada, and New Zealand); Postcolonial Drama/Theatre and Film.
Minor: Violence and the Body in Film; Community Theatre.
Dr Gillian Arrighi (University of Newcastle)
Major: Popular entertainments of the late nineteenth and early twentieth centuries; Circus and physical theatre; Actor training; "Performing" animals.
Minor:
Ms Kath Bicknell (University of Sydney)
Major: Phenomenology of performance; Sport and performance; Spectatorship.
Minor: Embodiment and neurology; Space in performance; Site-specific performance.
Mr Bill Blaikie (Charles Sturt University)
Major: Celebratory Theatre; Theatre & Cultural Action; Physical Theatre; Circus.
Minor: Theatre-in-Education; Welfare State International.
Dr Jonathan Bollen (Flinders University)
Major: Australian theatre history, 20th century ; Social dancing and popular culture, 20th century ; Gender and sexuality in performance
Minor: Theories of practice, performativity and affect ; Movement analysis and the history of animation ; Performance historiography and digital technologies ; Health education and gay men's sexual cultures
G.J Borny (Australian National University)
Major: Acting; American theatre - particularly Tennessee Williams, Arthur Miller and Edward Albee; Chekhov; Directing.
Minor: French drama and theatre - Molire - Racine.
Assoc Prof Tom Burvill (Macquarie University)
Major: Australian theatre contemporary - including community theatre, the politics of practices and forms; Aboriginal theatre and multiculturalism; Chekhov - in reading, criticism and performance; Shakespeare and contemporaries.
Minor: Social theory in relation to cultural forms; Modernism/Postmodernism - the problematic in theatre and cultural studies; Naturalist drama - High Naturalisms of the nineteenth century; Realism - theory and practice of.
Rebecca Clifford (Australian National University)
Major: Metatheatre; Popular entertainments; Australian Drama.
Minor: Russian theatre; Translation.
Mr Terence Crawford
Major: Adaptation of Realism; Acting pedagogy
Minor: Post colonial Shakespeare
Dr Glenn D’Cruz (Deakin University)
Major: Identity politics; Irish theatre: contemporary political; Politics and theatre; Theatre as vehicle for social change.
Minor: Vampires and vampirism in performance.
Dr Jenny de Reuck (Murdoch University)
Major: Childrens Theatre; South African drama; Theatre and Feminism; Theatre in education.
Minor: Post-colonial theory and theatre.
Mr Robin Dixon (University of Sydney)
Major: Roman theatre; Roman comedy; Plautus; Hellenistic new comedy; Translation and dramaturgy; Spatial elements of performance; reception of ancient drama.
Minor: Ethnomusicology; Documentation of performance; Acting styles and techniques; Phenomenology of music performance
Ms Kim Durban (Arts Academy)
Major: Women Directors and Interpretation; Renaissance Literature; New Writing.
Minor:
Mr Peter Eckersall (University of Melbourne)
Major: Japanese Theatre.
Minor: Dramaturgy; Avant-Garde Theatre.
Mr Ian Edelstein (Australian National University)
Major: Theatre; South African Political History.
Minor: Film; Politics; History.
Mr Michael Edgar (University of Tasmania)
Major: Monodrama; Rhetoric in Renaissance and Contemporary Drama
Minor:
Victor Emeljanow (University of Newcastle)
Major: Theatre audiences; Chekhov; Edwardian theatre; Imperialism and the theatre.
Minor: Nineteenth century theatre
Assoc Prof Michael Ewans (University of Newcastle)
Major: Greek Theatre -Translation and Performance; Opera since Wagner; Tragedy.
Minor: Buechner, Georg; Expressionism.
Dr Rachel Fensham (University of Surrey)
Major: Contemporary theatre and performance; Dance studies; Feminist theatre and theory; Gender studies and queer theory; Corporeality and performance.
Minor: Community theatre; Intercultural theatre; Cultural policy; Festivals.
Mr Russell Fewster (University of Melbourne)
Major: Media & performance; Japanese Theatre; Jacques Lecoq
Minor: Rehearsal & Performance Analysis
Prof Peter Fitzpatrick (Monash University)
Major: Australian theatre - contemporary - historical; Musical Theatre.
Minor:
Michael Foster
Major: Community theatre; Directing; Group theatre; Popular theatre; Youth theatre - professional young peoples theatre.
Minor: Australian theatre contemporary; Physical Theatre and Applied Theatre; Zeal theatre.
Mr Richard Fotheringham (University of Queensland)
Major: Australian theatre history; Performing Arts Policy; Scholarly editing of playscripts.
Minor: Australian film early.
Sarah French
Major: Feminism & Gender Theory in performance; Representations of memory in performance.
Minor:
Prof. Penny Gay (University of Sydney)
Major: Shakespeare in performance - especially comedy.
Minor: Acting theory - theories of the Actor; Australian theatre history; English theatre history.
Professor Helen Gilbert (Royal Holloway, University of London)
Major: Aboriginal Australian drama: Australian drama contemporary; Intercultural Performance - theory and practice; Performance theory - especially feminist; Post-colonial drama - African, Caribbean, Canadian, New Zealand.
Minor:
John Golder (University of New South Wales)
Major: Audiences in 18th century France; French stage design & theatre architecture - 17th & 18th centuries; Shakespeare on the Australian stage; Shakespeare on the French stage in the 18th & 19th centuries.
Minor: Translation of neo-classical French drama into English.
Prof Jane Goodall (University of Western Sydney)
Major: Performance and Cultural History; Performance and science.
Minor:
Ray Goodlass
Major: Gay Theatre
Minor: Directing; Australian Stage Drama; Stage, film and television acting.
Dr Helena Grehan (Murdoch University)
Major: Post-colonial theory and performance; Interculturalism, Contemporary Australian performance; Critical analysis
Minor:
Dr Adrian Guthrie (University of South Australia)
Major: Contemporary performance; Intercultural performance practices
Minor: Dramaturgy
Dr Bree Hadley (Queensland University of Technology)
Major: Construction of identity in contemporary and pop cultural performance; Artists with disabilities; Live Art; Autobiographical Performance; Physical performance; Public space performance; Bodies in performance; Performativity; Performativity of Spectatorship.
Minor: Producing in the arts, cultural and creative industries; Production platforms in the arts, cultural and creative industries; Entrepreneurship; Enterpreneurship Education.
Ms Hilary Halba (University of Otago)
Major: Bicultural; theatre; post colonial theatre & drama; actor training.
Minor: Actor Training.
Mr Peter Hammond (University of Tasmania)
Major: Actor training; Community theatre; Directing - contemporary practices - writing.
Minor:
Ms Anita Harris-Satkunananthan (University of Queensland)
Major: Third generation postcolonial gothic literature / drama.
Minor: Mythic narrative.
Mr Johan Hartog (Flinders University of South Australia)
Major: Performance, cultural analysis of
Minor: Computer applications
Ms Linda Hassall (Griffith University)
Major: Practice-led research; New writing and new performance.
Minor: Performance Studies.
Ms Janys Hayes (University of Wollongong)
Major: Actor Training - Malmgren method; Phenomenology in Performance research; Documenting popular research; Embodiment in training & performance
Minor: Performance as research; Performance & feminism
GLENDON HILL
Major: Australian Film, Television & Theatre: Representations of the Myth of the Rock Star.
Minor: Non-verbal Symbolic Modes; Myth; Ritual; Cultural Production; Contemporary Popular Music; Politics of Representation.
Prof Julie Holledge (Flinders University)
Major: Acting theory; Women's Intercultural Performance.
Minor: Asian theatre - Philippines, Japan and Korea; Women's theatre - English suffragette theatre - contemporary English women's theatre.
Mr Andrew Holmes (Australian National University)
Major: Poetic Drama, particularly early- and -mid twentieth century, including Eliot, Yeats, Lorca and MacLeish.
Minor: Shakespearean Drama; Contemporary Australian Theatre; Theatre Semiotics; Dramaturgy.
Ms Tricia Hopton (University of Queensland)
Major: Contemporary Canadian and Australian drama; Theories of identity formation; Multiculturalism and Nationalism in Drama.
Minor: Dramaturgy; Theatre for Social Change.
Dr Mary Ann Hunter
Major: Community-based Performance; Youth-specific Performance; Performing Arts Festivals.
Minor: Cultural Policy; Performance and gender; Theatre in Education.
Ms Teresa Izzard (Curtin University / Edith Cowan University)
Major: Laban Movement Analysis / Bartenieff Fundamentals; Directing / Devising; Dramaturgy; Movement Training.
Minor:
R.J Jordan
Major: Australian theatre history - Convict theatre in Australia; Restoration comedy; Restoration Masquerade.
Minor: Popular theatre; Cultural politics.
Ms Veronica Kelly (University of Queensland)
Major: Australian theatre contemporary; Colonial theatre history.
Minor: Historiography of theatre; Melodrama and nineteenth-century popular theatrical forms; gender, costume, and popular performance
Prof Adrian Kiernander (University of New England)
Major: Physical Theatre and Dance Theatre in Australia, 1985-2000; Database of Australian Performing Arts (AusStage); Australian theatre history - late nineteenth century; Bell, John (Nimrod - Bell Shakespeare Company); Performance theory; Queer theatre.
Minor: French theatre contemporary - especially Ariane Mnouchkine and the Theatre du Soleil; Gender and performance; New Zealand theatre history- late 19th century. Minor: Elizabethan theatre; Jacobean theatre; Opera; The theatre of Alexander Dumas Pere.
Ms Natalie Lazaroo (University of Queensland)
Major: Physical Theatre; Actor Training; Buto.
Minor: Asian Theatre.
Dr Margaret Leask (N.I.D.A)
Major: Actresses Franchise League; First World War entertainment of troops; Lena Ashwell - actor / manager; Lena Ashwell Players, 1919-1929; Nineteenth-century and Edwardian English theatre.
Minor: Actor / Managers - management techniques; Old TOTE Theatre, NSW.
Dr Suzanne Little (University of Otago)
Major: Performance research & analysis; framing theory
Minor: Political Theatre
Dr Jacqueline Lo (Australian National University)
Major: Asian Diaspora; Indigenous Arts; Cultural Studies; Intercultural / Cross-cultural / Multicultural Arts.
Minor: German Arts.
Dr Paul Makeham (Queensland University of Technology)
Major: Postcolonial drama; Australian drama
Minor: Aboriginal drama; Community Cultural Development
Dr Jonathan Marshall (WAAPA, Edith Cowan University)
Major: France, Fin De Siecle, Butoh, Australian Dance & Music, History medicine & performance, Hysteria
Minor:
Dr Jacqueline Martin (QUT Creative Industries Faculty)
Major: Performance Research; Rehearsal Processes; Shakespeare; Voice and the actor.
Minor: The Theatrical Event; Festivals
Mr Marc Maufort (Universite Libre De Bruxelles)
Major: Eugene O'Neill; Australian Drama Contemporary; Aboriginal Australian Drama; Canadian Drama; New Zealand Contemporary Drama.
Minor: Contemporary Multicultural American Drama
Dr Ian Maxwell (University of Sydney)
Major: Sociology of Theatre; Theories of Acting; Contemporary Performance and Critical Theory.
Minor: Youth and Music Culture; Performance and the Law; Sport and Performance.
Ms Gay McAuley (University of Sydney)
Major: Rehearsal studies; Documentation of performance; Place/Space/Performance/Memory
Minor: Translation for performance.
Mr John McCallum (University of NSW)
Major: Twentieth Century Australian Theatre and Drama; Comedy, performance comedy, cabaret.
Minor: Postcolonial drama; Humour - especially cross-cultural humour.
Dr Robyn McCarron (Edith Cowan University)
Major: Performing Arts in Regional Communities; Community Theatre; Cultural/Arts Policies; Youth Theatre; Indigenous Theatre.
Minor:
Greg McCart (University of Southern Queensland)
Major: Ancient Greek theatre and drama; Text in performance.
Minor:
Dr Janet McDonald (University of Southern Queensland)
Major: Masculinities and body inscription in fiction; regional arts sustainability
Minor: Postcolonial, queer theory, and the interface between these; critical pedagogy, rural masculinities
Dr Ailsa McPherson
Major: Spectacle & public occasion in late nineteenth century Australia.
Minor: History of Television Production
A. F. Millett
Major: Auto/biography as theatre; Monodrama; Performance.
Minor: Multimedia in theatre.
Mr Geoffrey Milne (La Trobe University)
Major: Aboriginal drama contemporary; Australian theatre contemporary; Aboriginal Australian drama; Community Theatre; Puppetry.
Minor: Australian drama history; Multicultural/multilingual theatre; Young people's theatre; Youth theatre.
Ms Nita Mostafa Moghaddam (Monash University)
Major: Semiotics; Socio-semiotic analysis; Cultural semiotics; Modern drama; Postmodern drama; Absurdist movement; American Theatre and Drama.
Minor: Poetry; Modern Poetry.
Mr David O’Donnell (Victoria University)
Major: Post colonial Theatre; Maori Theatre, Pacific Island theatre, New Zealand theatre, Community Theatre, Theatre Directing, Theories of actor training
Minor: Shakespeare production
Dr Bruce Parr
Major: Gay, Lesbian, Queer Theatre Studies.
Minor:
Dr William Peterson (Monash University)
Major: Religion and theatre in the Philippines; Theatre in Singapore, Aotearoa/New Zealand ; intercultural theatre ; international festival culture
Minor:
Dr Maggi Phillips (WA Academy of Performing Arts)
Major: Australian dance, choreographic processes and inter-cultural perspectives
Minor: Performance Research - Practice Based
Ms Susan Pilbeam (Theatre Directions)
Major: Performance - Research Development
Minor:
Dr Kris Plummer
Major: Dramaturgy; Theatre for Young People; Postdramatic theatre; Drama and dance education; Devised theatre / Playbuilding; Australian playwrighting; German Kinder und Jugendtheatre.
Minor: Theatre History; Cultural Studies.
Ms Gaye Poole (University of Waikato)
Major: Australian Theatre; small/local theatre; non-profit theatre; Verbatim/Documentary; American theatre; Reminiscence Theatre.
Minor: Academics as Directors; Chicago Play writes - David Mamet& Rebecca Gilman.
Dr Alison Richards (University of Melbourne)
Major: Performance Theory; Cultural / Social Theory; Performance as Research; Community-based, cross-disciplinary and cross-cultural performance practice. performance;
Minor: Feminist theory and performance; Voice Studies; Physical Theatre; Music Theatre / Opera; Cultural policy; Arts training and education.
Ms Meredith Rogers (La Trobe University)
Major: Performance-making; Text and Performance; Contemporary Australian Theatre Practice; Women's Theatre.
Minor: Community Theatre; Youth Theatre; Australian Theatre.
Rachael Romano
Major: Age constructs in performance; Ageism in Australian drama
Minor:
Dr Delyse Ryan (Australian Catholic University)
Major: Brisbane Theatre; Australian Drama; Theatre During the Wars; Parades and Pageants.
Minor: Editing Plays; Nineteenth-century Drama; Little Theatre.
Ms Elizabeth Schafer (Royal Holloway University of London)
Major: Australian drama; Renaissance Drama - especially Shakespeare and Middleton; Women Directors.
Minor: Canadian drama; New Zealand drama.
Anna Scheer (University of Melbourne)
Major: Social intervention and performance; Contemporary German theatre; Social dramaturgy; Live art and radical performance.
Minor:
Dr Edward Scheer (University of NSW)
Major: Artaud and Surrealism; Contemporary Australian Performance and Performance Art; Post-structuralist Theory.
Minor: Ecology & Performance; Multi-Media & Hybrid Genres.
Dr Rebecca Scollen (Queensland University of Technology)
Major: Audience Research, Reception & Development; Analysing Performance.
Minor: Arts Marketing.
Dr Mark Seton (University of Sydney)
Major: Actor Training practices & discourses; Performing artists healthcare; Digital technology & performance
Minor: Spirituality & performance experience
Ms Georgia Snowball (University of Sydney)
Major: Practice-led research; Processes of improvisation; Memory studies.
Minor: Documentation; New media; Installation.
Dr Yuji Sone (Macquarie University)
Major: Digital meditation and liveness; The body and technology; cross-cultural performance; Interaction between theory and practice in performance research; Japanese technoculture.
Minor: Everyday performance, subjectivity and identity in performance
Prof. Peta Tait (La Trobe University)
Major: Gender, bodies and performance - theories of; Circus - aerial performance - physical theatre; Theories of acting and performing Emotions; Chekhov - English-language studies of his texts; Feminism and theatre; Feminist Theatre - conceptual frameworks.
Minor: History, theory, and current interpretations of feminism; Women working in Australian theatre; Women's performance; Queer theory and performance; Internet, new technologies and performance.
Dr Joanne Tompkins (University of Queensland)
Major: Contemporary Australian drama (including Aboriginal); Critical theory - especially semiotics, feminism, spatial theories; Interculturalism; Multiculturalism; Post-colonial drama.
Minor:
Ms Karen Vickery (National Institute of Dramatic Art)
Major: Nineteenth and Twentieth Century Russian Theatre; Actor Training - before Stanislavski, Stanislavski, Stanislavski now; Translations of Russian plays.
Minor:
Ms Elizabeth Webby
Major: Australian drama and theatre - history of early Australian drama; Performance and Reception; Women playwrights.
Minor: Melodrama; Pantomime; Nineteenth-century popular theatre.
Dr David Williams (University of Sydney / Version 1.0)
Major: Political Performance; Documentary Performance / Theatre; Hybrid Performance; Use of media technology in performance; Collaborative approaches to performance.
Minor: Performance improvisation; Physical Performance.
Rod Wissler (Queensland University of Technology)
Major: Contemporary performance - new technologies in; Festival culture; Regional Arts and community cultural development; Asian forms in Australian theatre.
Minor: Brecht in production; Solo performance models.
Jena Zelezny (University of Melbourne)
Major: Gender; Sexuality; Judith Butler; Staging/Writing Performativity; Performativity and culture; The critique of violence; Marginalised communities; Readings of Brecht.
Minor: Performance Analysis; Documentation of performance; Rehearsal method.
Last updated by Bree Hadley and Jonathan Bollen, July 2010.
