 Australasian Drama Studies
Number 24 April 1994
Table of Contents - Issue 024(Full Issue PDF)
- MARK GAUNLETT ‘When I count to three’: stage hypnotism and the nature of performance
- JOANNE TOMPKINS and LISA MALE ‘Twenty-one native women on motorcycles’: an interview with Tomson Highway
- HELEN GILBERT Monumental moments: Michael Gow’s 1841, Stephen Sewell’s Hale, Louis Nowra’s Capricornia and Australia’s Bicentenary
- VERONICA KELLY ‘A form of music’: an interview with Nick Enright
- BRUCE PARR Peter Kenna’s The Cassidy Album: a call for re-viewing
- ROBYN ARCHER Introduction to Emma
- IRIS O’LOUGHLIN ‘I refuse to give easy answers’: an interview with Therese Radic
- MARK ST LEON Robert Avis Radford: ‘The Tasmanian Astley’
- ADRIENNE SIMPSON Footlights and Fenians: the adventures of a touring concert party in gold-rush New Zealand
- Review: ELIZABETH PERKINS: The Girl Who Saw Everything by Alma De Groen and Diving for Pearls by Katherine Thomson
- Review: CHRIS WORTH: International Dictionary of Theatre, ed. Mark Hawkings-Dady, picture ed. Leanda Shrimpton
- Review: BETSY TAYLOR: Medieval Theatre in Context: An Introduction by John Wesley Harris
- Review: DENISE CUTHBERT: Theatre and Reformation: Protestantism, Patronage and Playing in Tudor England by Paul Whitfield White
- Review: LLOYD DAVIS: Drama and the Market in the Age of Shakespeare by Douglas Bruster and The Social Relations of Jonson's Theatre by Jonathan Haynes
- Review: CLIVE PROBYN: Shakespeare's Professional Career by Peter Thomson
- Review: BRUCE PARR: Erotic Politics: Desire on the Renaissance Stage, ed. Susan Zimmerman
- Review: JACQUELINE LO: Games for Actors and Non-Actors by Augusto Boal
- Review: DAVID WILLIAMS: Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook by Shomit Mitter
- Review: JOHN DOWNIE: To All Appearances: Ideology and Performance by Herbert Blau and Dramatic Structure and Meaning in Theatrical Productions by Thomas Price
- Review: MIKE FOSTER: The Process of Drama:Negotiation Art and Meaning by John O'Toole
- Review: IAN STOCKS: Film and Reform: John Grierson and the Documentary Film Movement by Ian Aitken
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Issue 024(Full Issue PDF)
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
 | Attachment (27Mb) |
MARK GAUNLETT ‘When I count to three’: stage hypnotism and the nature of performance
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.1Mb) |
JOANNE TOMPKINS and LISA MALE ‘Twenty-one native women on motorcycles’: an interview with Tomson Highway
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.6Mb) |
HELEN GILBERT Monumental moments: Michael Gow’s 1841, Stephen Sewell’s Hale, Louis Nowra’s Capricornia and Australia’s Bicentenary
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.8Mb) |
VERONICA KELLY ‘A form of music’: an interview with Nick Enright
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.9Mb) |
BRUCE PARR Peter Kenna’s The Cassidy Album: a call for re-viewing
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (2.3Mb) |
ROBYN ARCHER Introduction to Emma
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (181.9kb) |
IRIS O’LOUGHLIN ‘I refuse to give easy answers’: an interview with Therese Radic
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (822.5kb) |
MARK ST LEON Robert Avis Radford: ‘The Tasmanian Astley’
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (2Mb) |
ADRIENNE SIMPSON Footlights and Fenians: the adventures of a touring concert party in gold-rush New Zealand
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.5Mb) |
Review: ELIZABETH PERKINS: The Girl Who Saw Everything by Alma De Groen and Diving for Pearls by Katherine Thomson
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (481.3kb) |
Review: CHRIS WORTH: International Dictionary of Theatre, ed. Mark Hawkings-Dady, picture ed. Leanda Shrimpton
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (219.8kb) |
Review: BETSY TAYLOR: Medieval Theatre in Context: An Introduction by John Wesley Harris
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (224.5kb) |
Review: DENISE CUTHBERT: Theatre and Reformation: Protestantism, Patronage and Playing in Tudor England by Paul Whitfield White
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (575.4kb) |
Review: LLOYD DAVIS: Drama and the Market in the Age of Shakespeare by Douglas Bruster and The Social Relations of Jonson's Theatre by Jonathan Haynes
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (570.5kb) |
Review: CLIVE PROBYN: Shakespeare's Professional Career by Peter Thomson
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (229.6kb) |
Review: BRUCE PARR: Erotic Politics: Desire on the Renaissance Stage, ed. Susan Zimmerman
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (348.1kb) |
Review: JACQUELINE LO: Games for Actors and Non-Actors by Augusto Boal
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (450.3kb) |
Review: DAVID WILLIAMS: Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook by Shomit Mitter
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (454.3kb) |
Review: JOHN DOWNIE: To All Appearances: Ideology and Performance by Herbert Blau and Dramatic Structure and Meaning in Theatrical Productions by Thomas Price
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (796kb) |
Review: MIKE FOSTER: The Process of Drama:Negotiation Art and Meaning by John O'Toole
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (447.7kb) |
Review: IAN STOCKS: Film and Reform: John Grierson and the Documentary Film Movement by Ian Aitken
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (219.4kb) |
|
