 Australasian Drama Studies
Theatre in Southeast Asia
Number 25 October 1994
Table of Contents - Issue 025 (Full Issue PDF)
- JACQUELINE LO Introduction
- RON VERBURGT ‘I am because You are: You are because I am’: an interview with Rendra
- BARBARA HATLEY Stage texts and life texts: women in contemporary Indonesian theatre
- JANET PILLAI & CHARLENE REJENDRAN Teater Muda – an integrated arts approach towards devising plays with young people
- WILLIAM PETERSON Sexual minorities on the Singapore stage
- Playscript: Boss by Peter Wijaya
- DOREEN G. FERNANDEZ The past is present: the development of modern Philippine theatre
- MERLINDA BOBIS Re-inventing the epic: notes on adapting a traditional genre
- PAUL DOWSEY-MAGOG Demons with mobile phones: evolutionary discourse in Thai shadow pupperty
- HOANG SU The past and the present of Vietnamese theatre
- NOELLE JANACZEWSKA They’re dancing the Lambada in Hanoi
- PETER COPEMAN The Hearts and Minds project: towards an Austral/Asian theatre
- HELEN GILBERT Occidental sex tourists: Michael Gurr’s Sex Diary of the Infidel
- Review: PAUL MAKEHAM: Radiance by Louis Nowra
- Review: JOHN McCALLUM: All Stops Out by Michael Gow, and Backstage Pass by Wendy Harmer
- Review: MELINDA MAWSON: Sex Diary of an Infidel by Michael Gurr
- Review: PETER FITZPATRICK: The Temple by Louis Nowra, and The Adman by Robert Hewett
- Review: JONATHAN DAWSON: Strictly Ballroom by Baz Luhrmann & Craig Pearce
- Review: HELEN THOMSON: The Garden of Grand-daughters by Stephen Sewell, and Love Child by Joanna Murray-Smith
- Review: JANE GOODALL: Unmarked; The Politics of Performance by Peggy Phelan
- Review: LLOYD DAVIS: Staging the Renaissance: Reinterpretation of Elizabethan and Jacobean Drama ed. David Scott Kastan & Peter Stallybrass
- Review: GEOFFREY MILES : Looking at Shakespeare: A Visual History of Twentieth-Century Performance by Dennis Kennedy
- Review: TIM FITZPATRICK: Scripts and Scenarios: The Performance of Comedy in Renaissance Italy by Richard Andrews, and Commedia dell'Arte: An Actor's handbook by John Rudlin
- Review: JIM DAVIS: Pinero: A Theatrical Life by George Rowell
- Review: JOANNE TOMPKINS : Wole Soyinka Revisited by Derek Wright
- Review: TONY MITCHELL: Giorgio Strehler by David Hirst
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Issue 025 (Full Issue PDF)
| Type of post: |
ADS newsletter article |
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No sub-type |
| Posted By: |
Maria Bates |
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Sun, 5 Jul 2020 |
 | Attachment (26.4Mb) |
JACQUELINE LO Introduction
| Type of post: |
ADS newsletter article |
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No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (406.7kb) |
RON VERBURGT ‘I am because You are: You are because I am’: an interview with Rendra
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.1Mb) |
BARBARA HATLEY Stage texts and life texts: women in contemporary Indonesian theatre
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (2.5Mb) |
JANET PILLAI & CHARLENE REJENDRAN Teater Muda – an integrated arts approach towards devising plays with young people
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (845.1kb) |
WILLIAM PETERSON Sexual minorities on the Singapore stage
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.2Mb) |
Playscript: Boss by Peter Wijaya
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1Mb) |
DOREEN G. FERNANDEZ The past is present: the development of modern Philippine theatre
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.3Mb) |
MERLINDA BOBIS Re-inventing the epic: notes on adapting a traditional genre
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.1Mb) |
PAUL DOWSEY-MAGOG Demons with mobile phones: evolutionary discourse in Thai shadow pupperty
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.6Mb) |
HOANG SU The past and the present of Vietnamese theatre
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (555.8kb) |
NOELLE JANACZEWSKA They’re dancing the Lambada in Hanoi
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.3Mb) |
PETER COPEMAN The Hearts and Minds project: towards an Austral/Asian theatre
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.1Mb) |
HELEN GILBERT Occidental sex tourists: Michael Gurr’s Sex Diary of the Infidel
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (1.2Mb) |
Review: PAUL MAKEHAM: Radiance by Louis Nowra
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (535.4kb) |
Review: JOHN McCALLUM: All Stops Out by Michael Gow, and Backstage Pass by Wendy Harmer
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (314.6kb) |
Review: MELINDA MAWSON: Sex Diary of an Infidel by Michael Gurr
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (336.3kb) |
Review: PETER FITZPATRICK: The Temple by Louis Nowra, and The Adman by Robert Hewett
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (338.6kb) |
Review: JONATHAN DAWSON: Strictly Ballroom by Baz Luhrmann & Craig Pearce
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (421.1kb) |
Review: HELEN THOMSON: The Garden of Grand-daughters by Stephen Sewell, and Love Child by Joanna Murray-Smith
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (661kb) |
Review: JANE GOODALL: Unmarked; The Politics of Performance by Peggy Phelan
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (441.8kb) |
Review: LLOYD DAVIS: Staging the Renaissance: Reinterpretation of Elizabethan and Jacobean Drama ed. David Scott Kastan & Peter Stallybrass
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (447.2kb) |
Review: GEOFFREY MILES : Looking at Shakespeare: A Visual History of Twentieth-Century Performance by Dennis Kennedy
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (445.5kb) |
Review: TIM FITZPATRICK: Scripts and Scenarios: The Performance of Comedy in Renaissance Italy by Richard Andrews, and Commedia dell'Arte: An Actor's handbook by John Rudlin
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (775.5kb) |
Review: JIM DAVIS: Pinero: A Theatrical Life by George Rowell
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (201.8kb) |
Review: JOANNE TOMPKINS : Wole Soyinka Revisited by Derek Wright
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (448.6kb) |
Review: TONY MITCHELL: Giorgio Strehler by David Hirst
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sun, 5 Jul 2020 |
| Attachment (428kb) |
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