Australasian Drama Studies
Number 28 April 1996
Table of Contents - Issue 028 (Full Issue PDF)
- KEIJI SAWADA The Japanese version of The Floating World: a cross-cultural event between Japan and Australia
- JIM SHARMAN In the realm of the imagination: an individual view of theatre
- ROBERT JORDAN Visualising the Sydney Theatre, 1796
- REMY DAVISON Outside lookingin: an interview with Ray Mooney
- DAVID WILLIAMS in conversation with DAVID GEORGE Listening to images: pleasures and/in the gift
- CAROLYN PICKETT ‘The past is here’: an interview with Tes Lyaslotis
- MICHAEL HALLIWELL ‘the space between’: postcolonial opera?- the Meale/Malouf adaptation of Voss
- SUSAN CROFT A lost Australian playwright: ‘A Lady’, c.1850
- PAUL MAKEHAM Singing the landscape: Bran Nue Dae
- KATH LEAHY Power and Presence in the actor-training institution audition
- GAY McAULEY Theatre practice and critical theory
- GLENN D’CRUZ Artists into academics/academics into artists: the University of Melbourne performance drama program 1975-94
- Appendix: An open letter to gay Gay McAuley
- Review: Veronica Kelly: Crow by Louis Nowra
- Review: HELEN THOMSON: Sanctuary by David Williamson and Falling from Grace by Hannie Rayson
- Review: KATHRYN KELLY:Kafka Dances by Timothy Daly
- Review: GEOFFREY MILNE ; Choice by Ron Elisha and Dead White Males by David Williamson
- Review: DAVID CARNEGIE: Lovelock's Dream Run by David Geary
- Review: KATE HERBERT: No Strings Attached by Hilary Beaton
- Review: LISA HICKEY: Remember Ronald Ryan by Barry Dickins
- Review: NADIA FLETCHER: Collected Plays, Volume II by Patrick White
- Review: GREG McCART: The Oresteia by Aeschylus,ed. and trans. Michael Ewans
- Review: LLOYD DAVIS: Men in Women"s Clothing: Anti-theatricality and Effeminization 1579-1642 by Laura Levine
- Review: SUSAN PFISTERER: Theatre and Fashion: Oscar Wild to the Suffragettes by Joel Kaplan & Sheila Stowell
- Review: RICHARD FOTHERINGHAM: Pioneer Players: The Lives of Louis and Hilda Esson by Peter Fitzpatrick
- Review: CAROLYN PICKETT: The Plays of Alma De Groen by Elizabeth Perkins
- Review: DAVID WATT: Fire on the Water by Neil Cameron
- Review: DAVID WILLIAMS: The Tail of the Dragon: New Dance. 1976-1982 by Marcia B Siegel and Lamb at the Altar: The Story of a Dance by Deborah Hay
- Review: JOHN SENCZUK: Walking on Water: Sydney Theatre Company at the Wharf, comp. Kim Spinks and Sharon Baird
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Issue 028 (Full Issue PDF)
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KEIJI SAWADA The Japanese version of The Floating World: a cross-cultural event between Japan and Australia
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JIM SHARMAN In the realm of the imagination: an individual view of theatre
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ROBERT JORDAN Visualising the Sydney Theatre, 1796
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REMY DAVISON Outside lookingin: an interview with Ray Mooney
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DAVID WILLIAMS in conversation with DAVID GEORGE Listening to images: pleasures and/in the gift
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CAROLYN PICKETT ‘The past is here’: an interview with Tes Lyaslotis
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MICHAEL HALLIWELL ‘the space between’: postcolonial opera?- the Meale/Malouf adaptation of Voss
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SUSAN CROFT A lost Australian playwright: ‘A Lady’, c.1850
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PAUL MAKEHAM Singing the landscape: Bran Nue Dae
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KATH LEAHY Power and Presence in the actor-training institution audition
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GAY McAULEY Theatre practice and critical theory
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GLENN D’CRUZ Artists into academics/academics into artists: the University of Melbourne performance drama program 1975-94
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Appendix: An open letter to gay Gay McAuley
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Review: Veronica Kelly: Crow by Louis Nowra
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Review: HELEN THOMSON: Sanctuary by David Williamson and Falling from Grace by Hannie Rayson
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Review: KATHRYN KELLY:Kafka Dances by Timothy Daly
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Review: GEOFFREY MILNE ; Choice by Ron Elisha and Dead White Males by David Williamson
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Maria Bates |
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Review: DAVID CARNEGIE: Lovelock's Dream Run by David Geary
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Review: KATE HERBERT: No Strings Attached by Hilary Beaton
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Review: LISA HICKEY: Remember Ronald Ryan by Barry Dickins
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Maria Bates |
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Review: NADIA FLETCHER: Collected Plays, Volume II by Patrick White
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Maria Bates |
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Review: GREG McCART: The Oresteia by Aeschylus,ed. and trans. Michael Ewans
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Maria Bates |
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Review: LLOYD DAVIS: Men in Women"s Clothing: Anti-theatricality and Effeminization 1579-1642 by Laura Levine
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ADS newsletter article |
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Posted By: |
Maria Bates |
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Review: SUSAN PFISTERER: Theatre and Fashion: Oscar Wild to the Suffragettes by Joel Kaplan & Sheila Stowell
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ADS newsletter article |
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Posted By: |
Maria Bates |
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| Attachment (364.7kb) |
Review: RICHARD FOTHERINGHAM: Pioneer Players: The Lives of Louis and Hilda Esson by Peter Fitzpatrick
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ADS newsletter article |
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Posted By: |
Maria Bates |
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Review: CAROLYN PICKETT: The Plays of Alma De Groen by Elizabeth Perkins
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Maria Bates |
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Review: DAVID WATT: Fire on the Water by Neil Cameron
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Maria Bates |
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Review: DAVID WILLIAMS: The Tail of the Dragon: New Dance. 1976-1982 by Marcia B Siegel and Lamb at the Altar: The Story of a Dance by Deborah Hay
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ADS newsletter article |
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No sub-type |
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Maria Bates |
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Review: JOHN SENCZUK: Walking on Water: Sydney Theatre Company at the Wharf, comp. Kim Spinks and Sharon Baird
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ADS newsletter article |
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Posted By: |
Maria Bates |
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