Australasian Drama Studies
Theatre and the Canadian Imaginary
Number 29 October 1996
Table of Contents - Issue 029 (Full Issue PDF)
- JOANNE TOMPKINS Canadian virtual realities: Canadian theatre and Australian theatre criticism
- ANN WILSON Border crossing: the technologies of identity in Fronteras Americans
- ALAN FILEWOD The comintern and the canon: Workers’ Theatre, Eight Men Speak and the genealogy of mise-en-scene
- SHEILA RABILLARD The seductions of theatricality: Mamet, Tremblay and political drama
- RICHARD PAUL KNOWLES The theatre of form and the production of meaning: contemporary Canadian dramaturgies
- ED NYMAN Out with the queers: moral triage and George F. Walker’s Theatre of the Film Noir
- DENIS SALTER Blood….Sex….Death….Birth:Paula de Vascomcelos’s Le Making of de Macbeth: an interview
- NATALIE REWA Astrid Janson’s designs for performance
- VALERIE SHANTZ Colonising Yvette Nolan: the making of an Australian playwright
- Playscript: Child by Yvette Nolan
- Playscript: The Glace Bay Miners’ Museum by Wendy Lill
- HELENE BEAUCHAMP Of desire, freedom, commitment and the mise en scène as a very fine art: the work of the theatre director
- KYM BIRD Leaping into the breeches: liberal feminism and cross-dressing in Sarah Ann Curzon’s The Sweet Girl Graduate
- MARVIN GILMAN Fennario and Ryga: Canadian political playwrights
- CRAIG STEWART WALKER James Reaney’s The Donnelly’s and the recovery of ‘the ceremony of innocence’
- JERRY WASSERMAN Confessions of a vile canonist: anthologising Canadian drama
- Review:HELEN THOMSON, The Incorruptible by Louis Nowra and Pacific Union by Alex Buzo
- Review: JACQUELINE LO: The Gap by Anna Broinowski and Fortune by Hilary Bell
- Review: BRUCE PARR Good Works by Nick Enright
- Review:MARLENE MOSER: Off the Air: Nine Plays for Radio by Elizabeth Jolley
- review: VERONICA KELLY: The Family by Jill Shearer and Composing Venus by Elaine Acworth
- Review: PETER THOMSON: Romeo and Juliet (Bell Shakespeare)
- Review: ALEXANDER LEGGATT: Julius Caesar (Bell Shakespeare)
- Review: KATE NEWEY: Female Playwrights of the Nineteenth Century, ed. Adrienne Scullion
- Review: CAROLYN PICKETT: Enough Blue Sky by Mona Brand
- Review: RACHEL FENSHAM: Playing with Time; Women Writers for Performance, ed. Colleen Chesterman
- Review: TERRY FLEW: Arts, Minister? Government Policy and the Arts by Justin Macdonnell.pdf
- Review: PAUL MAKEHAM: Australian Contemporary Drama by Dennis Carroll
- Review: IAN STOCKS: Canada's Hollywood by Ted Magder
- Review: DAVID WILLIAMS:Writing Dancing in the Age of Postmodernism by Sally Banes and Moving Toward Life: Five Decades of Transformational Dance by Anna Halprin
- Review: HAROLD LOVE: Annotated Calendar of Plays Premiered in Australia 1850-1869,ed. Veronica Kelly
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Issue 029 (Full Issue PDF)
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JOANNE TOMPKINS Canadian virtual realities: Canadian theatre and Australian theatre criticism
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ANN WILSON Border crossing: the technologies of identity in Fronteras Americans
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Maria Bates |
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ALAN FILEWOD The comintern and the canon: Workers’ Theatre, Eight Men Speak and the genealogy of mise-en-scene
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Maria Bates |
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SHEILA RABILLARD The seductions of theatricality: Mamet, Tremblay and political drama
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Maria Bates |
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RICHARD PAUL KNOWLES The theatre of form and the production of meaning: contemporary Canadian dramaturgies
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Maria Bates |
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ED NYMAN Out with the queers: moral triage and George F. Walker’s Theatre of the Film Noir
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No sub-type |
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Maria Bates |
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DENIS SALTER Blood….Sex….Death….Birth:Paula de Vascomcelos’s Le Making of de Macbeth: an interview
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ADS newsletter article |
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Maria Bates |
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NATALIE REWA Astrid Janson’s designs for performance
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Maria Bates |
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VALERIE SHANTZ Colonising Yvette Nolan: the making of an Australian playwright
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Maria Bates |
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Playscript: Child by Yvette Nolan
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Playscript: The Glace Bay Miners’ Museum by Wendy Lill
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Maria Bates |
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HELENE BEAUCHAMP Of desire, freedom, commitment and the mise en scène as a very fine art: the work of the theatre director
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ADS newsletter article |
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Maria Bates |
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Fri, 3 Jul 2020 |
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KYM BIRD Leaping into the breeches: liberal feminism and cross-dressing in Sarah Ann Curzon’s The Sweet Girl Graduate
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ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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Fri, 3 Jul 2020 |
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MARVIN GILMAN Fennario and Ryga: Canadian political playwrights
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ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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Fri, 3 Jul 2020 |
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CRAIG STEWART WALKER James Reaney’s The Donnelly’s and the recovery of ‘the ceremony of innocence’
Type of post: |
ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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Fri, 3 Jul 2020 |
| Attachment (1Mb) |
JERRY WASSERMAN Confessions of a vile canonist: anthologising Canadian drama
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ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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Current |
Date Posted: |
Fri, 3 Jul 2020 |
| Attachment (974kb) |
Review:HELEN THOMSON, The Incorruptible by Louis Nowra and Pacific Union by Alex Buzo
Type of post: |
ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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Fri, 3 Jul 2020 |
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Review: JACQUELINE LO: The Gap by Anna Broinowski and Fortune by Hilary Bell
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ADS newsletter article |
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Maria Bates |
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Review: BRUCE PARR Good Works by Nick Enright
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ADS newsletter article |
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Maria Bates |
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Review:MARLENE MOSER: Off the Air: Nine Plays for Radio by Elizabeth Jolley
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Posted By: |
Maria Bates |
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review: VERONICA KELLY: The Family by Jill Shearer and Composing Venus by Elaine Acworth
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ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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| Attachment (633.7kb) |
Review: PETER THOMSON: Romeo and Juliet (Bell Shakespeare)
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ADS newsletter article |
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No sub-type |
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Maria Bates |
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| Attachment (241.7kb) |
Review: ALEXANDER LEGGATT: Julius Caesar (Bell Shakespeare)
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ADS newsletter article |
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No sub-type |
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Maria Bates |
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Fri, 3 Jul 2020 |
| Attachment (504kb) |
Review: KATE NEWEY: Female Playwrights of the Nineteenth Century, ed. Adrienne Scullion
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ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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Review: CAROLYN PICKETT: Enough Blue Sky by Mona Brand
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ADS newsletter article |
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Maria Bates |
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Review: RACHEL FENSHAM: Playing with Time; Women Writers for Performance, ed. Colleen Chesterman
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ADS newsletter article |
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Maria Bates |
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Review: TERRY FLEW: Arts, Minister? Government Policy and the Arts by Justin Macdonnell.pdf
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Review: PAUL MAKEHAM: Australian Contemporary Drama by Dennis Carroll
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Maria Bates |
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Review: IAN STOCKS: Canada's Hollywood by Ted Magder
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Maria Bates |
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Review: DAVID WILLIAMS:Writing Dancing in the Age of Postmodernism by Sally Banes and Moving Toward Life: Five Decades of Transformational Dance by Anna Halprin
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ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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| Attachment (614.8kb) |
Review: HAROLD LOVE: Annotated Calendar of Plays Premiered in Australia 1850-1869,ed. Veronica Kelly
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ADS newsletter article |
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No sub-type |
Posted By: |
Maria Bates |
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