 Australasian Drama Studies
Issue 34, April 1999
Contents
LINDY DAVIES
The 1998 Rex Cramphorn memorial lecture: Become the change
CLAY DJUBAL
From minstrel tenor to vaudeville showman: Harry Clay, 'a friend of the Australia performer'
PETER COPEMAN
'Looking closer afield': Carillo Gantner on Australian theatre and Asia
CHERYL STOCK
Moving bodies across cultures: an analysis of a Vietnamese/Australian dance and music project
DENISE VARNEY and RACHEL FENSHAM
'Help me, I'm drowning!' calls the man in Jenny Kemp's The black sequin dress: heterosexual masculinity in feminist performance
MIMI COLLIGAN
Waxworks shows and some of their proprietors in Australia, 1850s-1910s
HELENA GREHAN
Negotiating discovery in The Geography of Haunted Places
JANE GOODALL
Objects of curiosity and subjects of discovery: humans on show
Reviews
GEOFFREY MILNE
Navigating by Katherine Thomas
RACHEL FENSHAM
Australian Women's Drama: texts and feminisms
VERONICA KELLY
Honour and Redemption by Joanna-Murray Smith
GEOFFREY MILNE
Love suicides by John Romeril and Some Mother's Son by Jill O'Callaghan
DAVID CARNEGIE
King Edward III
PHILLIPA KELLY
Ms-Directing Shakespeare by Elizabeth Schafer
MARK GAUNTLETT
Franquin, Master Showman by Jenny Rowley Lees
JONATHAN DAWSON
The Road to Nhill: original screenplay by Alison Tilson and The Boys: The Screenplay by Stephen Sewell
PENNY GAY
John Barrymore, Shakespearean Actor by Michael A Morrison and Much Ado About Nothing ed. John F Cox
ALAN FILEWOOD
Our Australian Theatre in the 1990s ed Veronica Kelly, and Sightlines: Race, Gender and Nation in Contemporary Australian Drama by Helen Gilbert
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