 Australasian Drama Studies
Issue 34, April 1999
Table of Contents - Issue 034 (Full Issue PDF)
- LINDY DAVIES The 1998 Rex Cramphorn memorial lecture: Become the change
- CLAY DJUBAL From minstrel tenor to vaudeville showman: Harry Clay, 'a friend of the Australia performer'
- PETER COPEMAN 'Looking closer afield': Carillo Gantner on Australian theatre and Asia
- CHERYL STOCK Moving bodies across cultures: an analysis of a Vietnamese/Australian dance and music project
- DENISE VARNEY and RACHEL FENSHAM 'Help me, I'm drowning!' calls the man in Jenny Kemp's The black sequin dress: heterosexual masculinity in feminist performance
- MIMI COLLIGAN Waxworks shows and some of their proprietors in Australia, 1850s-1910s
- HELENA GREHAN Negotiating discovery in The Geography of Haunted Places
- JANE GOODALL Objects of curiosity and subjects of discovery: humans on show
- Review: GEOFFREY MILNE Navigating by Katherine Thomas
- Review:RACHEL FENSHAM Australian Women's Drama: texts and feminisms
- Review:VERONICA KELLY Honour and Redemption by Joanna-Murray Smith
- Review: GEOFFREY MILNE Love suicides by John Romeril and Some Mother's Son by Jill O'Callaghan
- Review: PHILLIPA KELLY Ms-Directing Shakespeare by Elizabeth Schafer
- Review: MARK GAUNTLETT Franquin, Master Showman by Jenny Rowley Lees
- Review:JONATHAN DAWSON The Road to Nhill: original screenplay by Alison Tilson and The Boys: The Screenplay by Stephen Sewell
- Review: PENNY GAY John Barrymore, Shakespearean Actor by Michael A Morrison and Much Ado About Nothing ed. John F Cox
- Review: ALAN FILEWOOD Our Australian Theatre in the 1990s ed Veronica Kelly, and Sightlines: Race, Gender and Nation in Contemporary Australian Drama by Helen Gilbert
|
Issue 034 (Full Issue PDF)
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
 | Attachment (23.3Mb) |
LINDY DAVIES The 1998 Rex Cramphorn memorial lecture: Become the change
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (803.1kb) |
CLAY DJUBAL From minstrel tenor to vaudeville showman: Harry Clay, 'a friend of the Australia performer'
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (1.7Mb) |
PETER COPEMAN 'Looking closer afield': Carillo Gantner on Australian theatre and Asia
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (2.3Mb) |
CHERYL STOCK Moving bodies across cultures: an analysis of a Vietnamese/Australian dance and music project
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (2.8Mb) |
DENISE VARNEY and RACHEL FENSHAM 'Help me, I'm drowning!' calls the man in Jenny Kemp's The black sequin dress: heterosexual masculinity in feminist performance
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (1.7Mb) |
MIMI COLLIGAN Waxworks shows and some of their proprietors in Australia, 1850s-1910s
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (2.5Mb) |
HELENA GREHAN Negotiating discovery in The Geography of Haunted Places
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (1.6Mb) |
JANE GOODALL Objects of curiosity and subjects of discovery: humans on show
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (2.2Mb) |
Review: GEOFFREY MILNE Navigating by Katherine Thomas
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (472.8kb) |
Review:RACHEL FENSHAM Australian Women's Drama: texts and feminisms
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (460.3kb) |
Review:VERONICA KELLY Honour and Redemption by Joanna-Murray Smith
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (706.3kb) |
Review: GEOFFREY MILNE Love suicides by John Romeril and Some Mother's Son by Jill O'Callaghan
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (583.8kb) |
Review: PHILLIPA KELLY Ms-Directing Shakespeare by Elizabeth Schafer
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (488.8kb) |
Review: MARK GAUNTLETT Franquin, Master Showman by Jenny Rowley Lees
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (238.7kb) |
Review:JONATHAN DAWSON The Road to Nhill: original screenplay by Alison Tilson and The Boys: The Screenplay by Stephen Sewell
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (599.2kb) |
Review: PENNY GAY John Barrymore, Shakespearean Actor by Michael A Morrison and Much Ado About Nothing ed. John F Cox
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (469.2kb) |
Review: ALAN FILEWOOD Our Australian Theatre in the 1990s ed Veronica Kelly, and Sightlines: Race, Gender and Nation in Contemporary Australian Drama by Helen Gilbert
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Tue, 30 Jun 2020 |
| Attachment (458.2kb) |
|
