 Australasian Drama Studies
Number 48 April 2006
Contents
CAROL LANGLEY
Borrowed Voice: The Art of Lip-Synching in Sydney Drag
LYNDON TERRACINI
The Culture of Place: Making Australian Theatre
THE COSMOPOLITAN AND THE EXPAT
NICOLE ANAE
Adventures in Nineteenth-Century Gender-Bending: Lady Emilia Don in Tasmania, 1862 and 1865
ANNA BEMROSE
The Boy from Mount Gambier: Robert Helpmann’s Early Career in Australia (1917–1932)
STEPHEN VAGG
Frank Harvey: Australian Screenwriting Pioneer
FIONA GREGORY
High-Cultural Histrionics: Judith Anderson’s 1955 Australian Tour
OF WAR, HAUNTED AND POLLUTED SPACES
DAVID A WILLIAMS
Political Theatrics in the ‘Fog of War’
PAUL DWYER
The inner lining of political discourse: presenting the version 1.0 remix of the Senate Select Committee on a Certain Maritime Incident
JOHN McCALLUM
CMI (A Certain Maritime Incident): Introduction
CMI Performance Script 143
RUTH THOMPSON
Theatre/s of Peace and Protest: The Continuing Influence of Euripides’ Play The Trojan Women at the Nexus of Social Justice and Theatre Practice
RICCI-JANE ADAMS
Inheritors of the Dead Heart: Magical Realism in These People and Falling Petals by Ben Ellis
IN BLACK AND WHITE
ALISON LYSSA
Black and White: Australia’s History Onstage in Four Plays of the New Millennium
JACK TEIWES
Nostalgia, Reconciliation or New National Myth?: The Adaptation of Cloudstreet to the Stage
Reviews
JENNY DE REUCK, Prologues to Shakespeare’s Theatre: Performance and Liminality in Early Modern Drama by Douglas Bruster and Robert Weimann
JOHN JACOBS, Talking to the Audience: Shakespeare, Performance, Self by Bridget Escolme
BREE HADLEY, Circus Bodies: Cultural Identity in Aerial Performance by Peta Tait
JONATHAN MARSHALL, Into Performance: Japanese Women Artists in New York by Midori Yoshimoto
DAVID MOODY, Theatrical Events: Borders, Dynamics, Frames eds Vicky Ann Cremona et al
BARRY O’CONNOR, Trade Secrets: Australian Actors and Their Craft by Terence Crawford
JONATHAN DAWSON, Three Dollars: Screenplay by Robert Connolly and Elliot Perlman
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