 Australasian Drama Studies
vol.50 April 2007
Table of Contents - Issue 050 (Full Issue PDF)
- DANIEL KEENE A Theatre of Difference
- STEPHEN VAGG Finch, Fry and Factories: A Brief History of Mercury Theatre
- ROSEMARY FARRELL Chinese Acrobatics Unmasked in Australian Circus in the Nineteenth Century
- RICHARD FOTHERINGHAM and ROB PENSALFINI Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s
- MEREDITH ROGERS Dramaturgy as Political Desire: Making a Democratic Space-the Orestes Trilogy (Melbourne, Australia,1974)
- MURRAY EDMOND Te Kaainga/Where The Fire Burns- Hone Kouka's Trilogy: Waiora, Homefires and The Prophet
- BREE HADLEY Dis/identification in Contemporary Physical Performance: NYID's Scene of the Beginning from the End
- PAUL DWYER Still Rehearsing the Revolution? 'Theatre of the Oppressed', State Subsidy and Drug War Politics
- MICHAEL ANDERSON and LINDEN WILKNSON
- MARK STEON Recognising and misrecognising the 'X' Factor: The Audition Selection Process in Actor-training Institutions Revisited
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Issue 050 (Full Issue PDF)
| Type of post: |
ADS newsletter article |
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No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
 | Attachment (9.5Mb) |
DANIEL KEENE A Theatre of Difference
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (688.5kb) |
STEPHEN VAGG Finch, Fry and Factories: A Brief History of Mercury Theatre
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (848.5kb) |
ROSEMARY FARRELL Chinese Acrobatics Unmasked in Australian Circus in the Nineteenth Century
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (622kb) |
RICHARD FOTHERINGHAM and ROB PENSALFINI Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (896.1kb) |
MEREDITH ROGERS Dramaturgy as Political Desire: Making a Democratic Space-the Orestes Trilogy (Melbourne, Australia,1974)
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (574.5kb) |
MURRAY EDMOND Te Kaainga/Where The Fire Burns- Hone Kouka's Trilogy: Waiora, Homefires and The Prophet
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (959.6kb) |
BREE HADLEY Dis/identification in Contemporary Physical Performance: NYID's Scene of the Beginning from the End
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (626kb) |
PAUL DWYER Still Rehearsing the Revolution? 'Theatre of the Oppressed', State Subsidy and Drug War Politics
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (792.3kb) |
MICHAEL ANDERSON and LINDEN WILKNSON
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (791.9kb) |
MARK STEON Recognising and misrecognising the 'X' Factor: The Audition Selection Process in Actor-training Institutions Revisited
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Sat, 20 Jun 2020 |
| Attachment (601.2kb) |
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