 Australasian Drama Studies
Volume 51 October 2007
Contents
GEOFFREY MILNE
Editorial Note
PETER J.WILSON
Winds of Change: Seeing Australia into the New Century
ANNE FORBES
From Animism to Digital Animation: Puppetry in New Zealand/Aotearoa
RICHARD BRADSHAW
Thiodon's Wonders: A Mechanical Theatre in Nineteenth-Century Australia
NICOLE ANAE
"Belly-Speaker", Machines and Dummies: Puppetry in the Australian Colonies, 1830's-1850's
DAVID TREDINNICK
Tintookie Man, the LAst of his Tribe: A Story of Peter Scriven
YUJI SONE
"Phontom" Puppetry in Stelarc's Work
RICHARD HART with JULIA DAVIS
Dream Puppets: The Journey of an Independent Puppet Theatre
SANDY MCKENDRICK in conversation with GEOFFREY MILNE
Puppetry as Cultural Exchange in Indigenous Communities
JENNIFER PFEIFFER
Globalisation and the UNIMA Asia-Pacific Commission
MARGARET WILLIAMS
Including the Audience: The Idea of 'the Puppet' and the Real Spectator
Reviews
JASNA NOVAKOVIC, Unspoken by Rebecca Clarke;
HILARY HALBA Awhi Tapu by Albert Belz and The Prophet by Hone Kouka;
DAVID O'DONNELL, Baghdad Baby! by Dean Parker;
ALISON RICHARDS About Performance no 6, ed. Gay McAuley;
LISA WARRINGTON, Nola Millar: A Theatrical Life by Sarah Gaitanos; Just Who Does He Think He Is?: A Theatrical Life by George Webby;
MARY ELIZABETH ANDERSON, Anarchic Dance, eds Liz Aggiss and Bill Cowrie with Ian Bramley;
BREE HADLEY, And Then, You Act: Making Art in an Unpredictable World, by Anne Bogart;
MARK SETON, Jacques Copeau, by Mark Evans;
IAN MAXWELL, Encounters with Tadeusz Kantor, by Krzysztof Miklaszewski translated and edited by George Hyde.
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