Australasian Drama Studies

Volume 54 April 2009

Table of Contents

1. Issue 054 (Full Issue PDF)
2. EDITORIAL NOTE: Geoffrey Milne
3. LAURENCE SENELICK Place Settings: Real Estate or Imagined Estates in Chekhov and Kantor
4. MARY-BRIT AKERHOLT A Sense of Otherness? The Balancing Act of Translation
5. MEGAN HOFFMAN Is a Fashion Show the Place for Social Commentary? Investigating the Spectacle Dressed Up in Ideas in Hussein Chalayan's After Words
6. DAVID A. WILLIAMS Killing the Audience: Forced Entertainment's First Night
7. GILLIAN ARRIGHI Negotiating National Identity at the Circus: The FitzGerald Brothers' Circus in Melbourne, 1892
8. MARTIN LIPTON 'Our Madge and Cyril': Ghosted framings of the Public and Private Partnership of Madge Elliott and Cyril Ritchard
9. NIGEL JAMIESON Rex Cramphorn memorial Lecture: Make it Relevant
10. DENISE VARNEY Radical Disengagement and Liquid Lives: Criminology by Arena Theatre Company
11. ROB PENSALFINI Not in Our Own Voices: Accent and Identity in Contemporary Australian Shakespeare Performance
12. ADELE CHYNOWETH Am Dram and Art Galleries: The Marginalisation of Professional theatre in Australia's National Capital
13. JONATHAN BOLLEN, NEAL HARVEY, JULIE HOLLEDGE and GLEN MCGILLIVRAY AusStage: e-Research in the Performing Arts
14. Review:GLENN D'CRUZ, , Stage Presence by Jane Goodall;
15. Review: GEOFFREY MILNE, Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia by Helen Gilbert and Jacqueline Lo;
16. Review: CAROLYN D'CRUZ, What a Man's Gotta Do? Masculinities and Performance by Adrian Kiernander, Jonathan Bollen and Bruce Parr;
17. Review: GEOFFREY MILNE, Nick Enright: An Actor's Playwright, , edited by Anne Pender and Susan Lever;
18. Review: LISA WARRINGTON, Two Plays: Falemalama and The Packer by Dianna Fuemana and The Daylight Atheist by Tom Scott;
19. Review: FINCINA HOPGOOD, Alvin Purple by Catherine Lumby and The Piano by Gail Jones;
20. Review: DAVID O'DONNELL, Signatures of the Past: Cultural memory in Contemporary Anglophone North American Dramaedited by Marc Maufort and Caroline De Wagter.