 Australasian Drama Studies
Volume 57 April 2010
Table of Contents - Issue 057 (Full Issue PDF)
- Introduction: Gaye Poole Teaching Theatre, Performance and Drama Studies
- IAN MAXWELL "Do You Really Want It?"
- SUZANNE LITTLE Creating the Relective Student-Practitioner
- MICHAEL BALFOUR Developing the Capacities of Applied Theatre Students to Be Critically Reflective Learner-Practitioners
- BRONWYN TWEDDLE The Johnny Depp Effect: Using Contemporary Film to Teach Brechtian Concepts
- STUART GRANT, MATTHEW LOCKITT and ABIGAIL KATE EGAN The Uncertain Musical: An Experiment in Performance as Research as Pedagogy
- GLENN D'CRUZ Teaching/Directing 4.48 Psychosis
- KIM DURBAN 'I Love the Quality of Playing, I': Directing Adventures in Ballarat
- DAVID O'DONNELL and LISA WARRINGTON Teaching the Unteachable: A Dialogue in Director Training
- LIZA-MARE SYRON in conversation with GEOFFREY MILNE Indigenous Performing Arts Training in Australia
- MEREDITH ROGERS An Adaptable Aesthetic: Performing the Happy Accident and the Everyday in Tertiary Performance-Making
- GILLIAN ARRIGHI Devising Place and Social History: A Regional Perspective on Teaching Devised Performance in the Tertiary Sector
- JULIE ROBSON, DANIELLE BRADY and LEKKIE HOPKINS From Practice to the Page: Multi-Disciplinary Understandings of the Written Component of Practice-Led Studies
- MARY ELIZABETH ANDERSON Planned Obsolescence? Technologies of Performance Training in Detroit, Michigan
- RACHEL FORGASZ What in the World Do They Think We're Doing? Practitioners' Views on the Work of the Theatre Studies Academy
- Review: DAVID O'DONNELL, Performing Japan: Contemporary Expressions of Cultural Identity, edited by Henry Johnson and Jerry C. Jaffe;
- Review: RICHARD FOTHERINGHAM, Tivoli King: Life of Harry Rickards, Vaudeville Showman, by Gae Anderson;
- Review: KRIS PLUMMER, The Story of the Miracles at Cookie's Table, by Wesley Enoch;
- Review: GORKEM ACAROGLU, Parramatta Girls, by Alana Valentine; GLENN D'CRUZ, Practice-as-Research in Performance and Screen, edited by Ludivine Allegue, Simon Jones, Baz Kershaw and Angela Pic
- Review: GLENN D'CRUZ, Practice-as-Research in Performance and Screen, edited by Ludivine Allegue, Simon Jones, Baz Kershaw and Angela Piccini;
- Review: RAND T. HAZOU, Performance in Place of War, by James Thompson, Jenny Hughes and Michael Balfour;
- Review; DAWN ALBINGER, ALchemists of the Stage: Theatre Laboratories in Europe, by Mirella Schino (translated by Paul Warrington)
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Issue 057 (Full Issue PDF)
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
 | Attachment (3.4Mb) |
Introduction: Gaye Poole Teaching Theatre, Performance and Drama Studies
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (85.2kb) |
IAN MAXWELL "Do You Really Want It?"
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (158kb) |
SUZANNE LITTLE Creating the Relective Student-Practitioner
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (202.6kb) |
MICHAEL BALFOUR Developing the Capacities of Applied Theatre Students to Be Critically Reflective Learner-Practitioners
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (191.8kb) |
BRONWYN TWEDDLE The Johnny Depp Effect: Using Contemporary Film to Teach Brechtian Concepts
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (189.5kb) |
STUART GRANT, MATTHEW LOCKITT and ABIGAIL KATE EGAN The Uncertain Musical: An Experiment in Performance as Research as Pedagogy
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (208.3kb) |
GLENN D'CRUZ Teaching/Directing 4.48 Psychosis
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (918.6kb) |
KIM DURBAN 'I Love the Quality of Playing, I': Directing Adventures in Ballarat
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (207.8kb) |
DAVID O'DONNELL and LISA WARRINGTON Teaching the Unteachable: A Dialogue in Director Training
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (230.4kb) |
LIZA-MARE SYRON in conversation with GEOFFREY MILNE Indigenous Performing Arts Training in Australia
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (189.9kb) |
MEREDITH ROGERS An Adaptable Aesthetic: Performing the Happy Accident and the Everyday in Tertiary Performance-Making
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (187kb) |
GILLIAN ARRIGHI Devising Place and Social History: A Regional Perspective on Teaching Devised Performance in the Tertiary Sector
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (221.2kb) |
JULIE ROBSON, DANIELLE BRADY and LEKKIE HOPKINS From Practice to the Page: Multi-Disciplinary Understandings of the Written Component of Practice-Led Studies
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (173.7kb) |
MARY ELIZABETH ANDERSON Planned Obsolescence? Technologies of Performance Training in Detroit, Michigan
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (173.9kb) |
RACHEL FORGASZ What in the World Do They Think We're Doing? Practitioners' Views on the Work of the Theatre Studies Academy
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (200.4kb) |
Review: DAVID O'DONNELL, Performing Japan: Contemporary Expressions of Cultural Identity, edited by Henry Johnson and Jerry C. Jaffe;
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (85.9kb) |
Review: RICHARD FOTHERINGHAM, Tivoli King: Life of Harry Rickards, Vaudeville Showman, by Gae Anderson;
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (69.6kb) |
Review: KRIS PLUMMER, The Story of the Miracles at Cookie's Table, by Wesley Enoch;
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (69.6kb) |
Review: GORKEM ACAROGLU, Parramatta Girls, by Alana Valentine; GLENN D'CRUZ, Practice-as-Research in Performance and Screen, edited by Ludivine Allegue, Simon Jones, Baz Kershaw and Angela Pic
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (69.3kb) |
Review: GLENN D'CRUZ, Practice-as-Research in Performance and Screen, edited by Ludivine Allegue, Simon Jones, Baz Kershaw and Angela Piccini;
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (74.9kb) |
Review: RAND T. HAZOU, Performance in Place of War, by James Thompson, Jenny Hughes and Michael Balfour;
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (69.6kb) |
Review; DAWN ALBINGER, ALchemists of the Stage: Theatre Laboratories in Europe, by Mirella Schino (translated by Paul Warrington)
| Type of post: |
ADS newsletter article |
| Sub-type: |
No sub-type |
| Posted By: |
Maria Bates |
| Status: |
Current |
| Date Posted: |
Mon, 8 Jun 2020 |
| Attachment (71.6kb) |
|
