October 2015
Full Issue PDF
Contents
Not Just 'Evocative': The Function of Music in Theatre
by Kim Baston
Music, Silence and the Single Note in the Creation of Meaning in Theatre
by Bagryana Popov
The Theatre of Dreams: Hypnotism and the Science of Historical Action
by Andrew Lawrence-King
Music and Sound Design: A Round Table Discussion with Anna Liebzeit, Kelly Ryall and Ian Moorhead with Kim Baston
Jethro Woodward in Interview with Kim Baston
Sound (Image, Text): Audiovisual Relationships in M+M with Daniel Schlusser, Darrin Verhagen and James Paul.
David N. Martin and the Post-War 'Acts and Actors' of Australian Variety
by Veronica Kelly
Reading and Performing Abjection: Staging Joyce, a Professional Reflection by Frances Devlin-Glass
Reviews
NICOLA HYLAND, Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania, by Diana Looser;
MARGARET HAMILTON, The Politics of Interweaving Performance Cultures: Beyond Postcolonialism, edited by Erika Fischer-Lichte, Torsten Jost and Saskya Iris Jain;
PRATEEK, Bertolt Brecht: A Literary Life, by Stephen Parker;
SHARON MAZER, The Routledge Companion to Puppetry and Material Performance, edited by Dassia N. Posner, Claudia Orenstein and John Bell;
ANNA KAMARALLI, Women on the Early Modern Stage, edited by Frances E. Dolan, Lucy Munro, Brian Gibbons and Arthur F. Kinney;
CATHERINE FARGHER, The Curious Incident of the Dog in the Night-Time, by Simon Stephens;
MERRILEE MOSS, Engine by Janis Balodis and House on Fire, by Debra Oswald
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