 Australasian Drama Studies
Number 23 October 1993
Table of Contents - Issue 023 (Full Issue PDF)
- KAY DREYFUS Reinventing the past: the subjectivities of cultural history
- SUSAN PFISTERER-SMITH Playing with the past: towards a feminist deconstruction of Australian theatre historiography
- BARBARA GARLICK The problem of sources the ‘Bohemian’ Cole collection
- Appendix: The Edward Irham Cole Collection
- BILL DUNSTONE Imperialist Discourse: amateur theatrical performances in Perth to 1854
- KAY FERRES Women making a spectacle of themselves: Ross Praed’s Ariane, melodrama, and marriage reform
- LEAH MERCER ‘A worthy scaffold’: George Rignold’s rewriting and staging of Henry V
- JOSIE FANTASIA J.C.Williamson’s vision for Australia: Australis; or the City of Zero(1900)
- FELIX CHERNIAVSKY Eileen Terry’s tour of Australasia, 1914
- PLAYSCRIPT: Giovanni in Botany, ed. Veronica Kelly
- PAUL MAKEHAM Framing the landscape: Prichard’s Pioneers and Erson’s The Drover’s
- JACQUELINE LO Theatre in Singapore: an interview with Kuo Pao Kun
- GEOFFREY MILNE Wanted (presumed dead): community theatre in Victoria
- DAVID CARNEGIE Casting and doubling in the Elizabethan theatre: a review article
- Review: HELEN THOMSON: Summer of the Aliens by Louis Nowra
- Review: KIM WALKER: Shakespeare and Feminist Criticism: An Annotated Bibliography and Commentary by Philip C. Kolin, and Anxiety: Circulations of Sexuality in Shakespearean Drama by Valerie Tr
- Review: HARRY GARLICK: Italian Renaissance Festivals and Their European Influence, ed. J.R. Mulryne and Margaret Shewring
- Review: DAVID GUNBY: Shakespeare's Theatre by Peter Thomson
- Review: JIM DAVIS: The Profession of the Playwright: British Theatre 1800-1900 by John Russell Stephens
- Review: JOHN DAWICK: British Theatre in the 1890s, ed. Richard Foulkes
- Review: FRANCES BONNER: Australian Film Index: A Guide to Australian Films since 1900, cons. ed. Sandra Hall.pdf
- Review: DAVID MOODY: Peter Brook and the Mahabharata: Critical perspectives, d. David Williams, and The Death if the Actor by Martin Buzacott
- Review: JOHN DOWNIE: The Theatre of Steven Berkoff et. al., and I am hamlet by Steven Berkoff
- Review: JOANNE TOMPKINS : Post-Colonial English Drama: Commonwealth Drama since 1960, ed. Bruce King
- Review: ADRIAN GUTHRIE: Not in Front of the Audience: Homosexuality on Stage by Nicholas de Jongh
- Review: CARL CAULFIELD: The Politics of Theatre and Drama, ed. Graham Holderness
- Review: ALISON RICHARDS: Directors in Rehearsal; A Hidden World by Susan Letzler Cole
- Review: TONY MITCHELL: Cold War Theatre by John Elsom
- Review: DAVE WATT: The Politics of Performance: Radical Theatre as Cultural Intervention by Baz Kershaw, and Street Theatre and Other Outdoor Performance by Bim Mason
- Review: JACQUELINE LO: The Playful Revolution by Eugene Van Erven
- Review: JACQUELINE LO: The Playful Revolution by Eugene Van Erven
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| Issue 023 (Full Issue PDF) |
|
|
Unfortunately you do not have access to this item |
| KAY DREYFUS Reinventing the past: the subjectivities of cultural history |
|
|
Unfortunately you do not have access to this item |
| SUSAN PFISTERER-SMITH Playing with the past: towards a feminist deconstruction of Australian theatre historiography |
|
|
Unfortunately you do not have access to this item |
| BARBARA GARLICK The problem of sources the ‘Bohemian’ Cole collection |
|
|
Unfortunately you do not have access to this item |
| Appendix: The Edward Irham Cole Collection |
|
|
Unfortunately you do not have access to this item |
| BILL DUNSTONE Imperialist Discourse: amateur theatrical performances in Perth to 1854 |
|
|
Unfortunately you do not have access to this item |
| KAY FERRES Women making a spectacle of themselves: Ross Praed’s Ariane, melodrama, and marriage reform |
|
|
Unfortunately you do not have access to this item |
| LEAH MERCER ‘A worthy scaffold’: George Rignold’s rewriting and staging of Henry V |
|
|
Unfortunately you do not have access to this item |
| JOSIE FANTASIA J.C.Williamson’s vision for Australia: Australis; or the City of Zero(1900) |
|
|
Unfortunately you do not have access to this item |
| FELIX CHERNIAVSKY Eileen Terry’s tour of Australasia, 1914 |
|
|
Unfortunately you do not have access to this item |
| PLAYSCRIPT: Giovanni in Botany, ed. Veronica Kelly |
|
|
Unfortunately you do not have access to this item |
| PAUL MAKEHAM Framing the landscape: Prichard’s Pioneers and Erson’s The Drover’s |
|
|
Unfortunately you do not have access to this item |
| JACQUELINE LO Theatre in Singapore: an interview with Kuo Pao Kun |
|
|
Unfortunately you do not have access to this item |
| GEOFFREY MILNE Wanted (presumed dead): community theatre in Victoria |
|
|
Unfortunately you do not have access to this item |
| DAVID CARNEGIE Casting and doubling in the Elizabethan theatre: a review article |
|
|
Unfortunately you do not have access to this item |
| Review: HELEN THOMSON: Summer of the Aliens by Louis Nowra |
|
|
Unfortunately you do not have access to this item |
| Review: KIM WALKER: Shakespeare and Feminist Criticism: An Annotated Bibliography and Commentary by Philip C. Kolin, and Anxiety: Circulations of Sexuality in Shakespearean Drama by Valerie Tr |
|
|
Unfortunately you do not have access to this item |
| Review: HARRY GARLICK: Italian Renaissance Festivals and Their European Influence, ed. J.R. Mulryne and Margaret Shewring |
|
|
Unfortunately you do not have access to this item |
| Review: DAVID GUNBY: Shakespeare's Theatre by Peter Thomson |
|
|
Unfortunately you do not have access to this item |
| Review: JIM DAVIS: The Profession of the Playwright: British Theatre 1800-1900 by John Russell Stephens |
|
|
Unfortunately you do not have access to this item |
| Review: JOHN DAWICK: British Theatre in the 1890s, ed. Richard Foulkes |
|
|
Unfortunately you do not have access to this item |
| Review: FRANCES BONNER: Australian Film Index: A Guide to Australian Films since 1900, cons. ed. Sandra Hall.pdf |
|
|
Unfortunately you do not have access to this item |
| Review: DAVID MOODY: Peter Brook and the Mahabharata: Critical perspectives, d. David Williams, and The Death if the Actor by Martin Buzacott |
|
|
Unfortunately you do not have access to this item |
| Review: JOHN DOWNIE: The Theatre of Steven Berkoff et. al., and I am hamlet by Steven Berkoff |
|
|
Unfortunately you do not have access to this item |
| Review: JOANNE TOMPKINS : Post-Colonial English Drama: Commonwealth Drama since 1960, ed. Bruce King |
|
|
Unfortunately you do not have access to this item |
| Review: ADRIAN GUTHRIE: Not in Front of the Audience: Homosexuality on Stage by Nicholas de Jongh |
|
|
Unfortunately you do not have access to this item |
| Review: CARL CAULFIELD: The Politics of Theatre and Drama, ed. Graham Holderness |
|
|
Unfortunately you do not have access to this item |
| Review: ALISON RICHARDS: Directors in Rehearsal; A Hidden World by Susan Letzler Cole |
|
|
Unfortunately you do not have access to this item |
| Review: TONY MITCHELL: Cold War Theatre by John Elsom |
|
|
Unfortunately you do not have access to this item |
| Review: DAVE WATT: The Politics of Performance: Radical Theatre as Cultural Intervention by Baz Kershaw, and Street Theatre and Other Outdoor Performance by Bim Mason |
|
|
Unfortunately you do not have access to this item |
| Review: JACQUELINE LO: The Playful Revolution by Eugene Van Erven |
|
|
Unfortunately you do not have access to this item |
| Review: JACQUELINE LO: The Playful Revolution by Eugene Van Erven |
|
|
Unfortunately you do not have access to this item |
|
