 Australasian Drama Studies
Number 30 April 1997
Table of Contents
- Issue 030 (Full Issue PDF)
- JOHN ROMERIL Ringing heaven: the second Rex Cramphorn Memorial Lecture
- FRANCES DEVLIN-GLASS An interview with John Bell
- MARGARET HAMILTON Open City: a field of linguistic possibilities
- ALBERT MORAN Try and try again: The Restless Years and nationalizing television drama
- ANNA BEMROSE E.W.O’Sullivan’s Coo-ee; or Wild Days in the Bush: people’s theatre or political circus?
- Review: GEOFFREY MILNE ; Sex Diary of an Infidel, Underwear, Perfume and Crash Helmet, and Jerusalem by MichaelGurr, and All Souls by Daniel Keene
- Review: JOHN DOWNIE. Eugenia by Lorae Parry, and Playlunch:Five Short New Zealand Plays ed. Christine Prentice and Lisa Warrington
- Review: JONATHAN DAWSON: Spotswood: The Screenplay by Max Dann and Andrew Knight and Cosi: The Screenplay by Louis Nowra
- Review: JOANNE TOMPKINS ; Performing Nostalgia: Shifting Shakespeare and the Contemporary Past by Susan Bennett
- Review: JOANNE TOMPKINS ; Performing Nostalgia: Shifting Shakespeare and the Contemporary Past by Susan Bennett
- Review: LLOYD DAVIS: Hamlet Theory in Practice Series, ed. Peter J.Smith and Nigel Wood, and Scocial Shakesoeare: Aspects of Renaissance Dramaturgy and Contemporary Society by Peter J.Smith
- Review: DAVID CARNEGIE Theatre and Government Under the Early Stuarts, ed. j.R. Mulryne Shewring
- Review:GARETH GRIFFITHS: Post-Colonial Drama:Theory, Practice, Politics by Helen Gilbert and Joanne Tompkins
- Review: PAUL MAKEHAM: Australian Contemporary Drama (rev.ed.) by Dennis Carroll
- Review: ALAN FILEWOOD: Challenging the Centre: Two Decades of Political Theatre, ed. Steve Capelinf
- Review: JOANNE TOMPKINS ; Contemporary Dramatists, 5th ed., K.A.Berney
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| Issue 030 (Full Issue PDF) |
|
|
Unfortunately you do not have access to this item |
| JOHN ROMERIL Ringing heaven: the second Rex Cramphorn Memorial Lecture |
|
|
Unfortunately you do not have access to this item |
| FRANCES DEVLIN-GLASS An interview with John Bell |
|
|
Unfortunately you do not have access to this item |
| MARGARET HAMILTON Open City: a field of linguistic possibilities |
|
|
Unfortunately you do not have access to this item |
| ALBERT MORAN Try and try again: The Restless Years and nationalizing television drama |
|
|
Unfortunately you do not have access to this item |
| ANNA BEMROSE E.W.O’Sullivan’s Coo-ee; or Wild Days in the Bush: people’s theatre or political circus? |
|
|
Unfortunately you do not have access to this item |
| Review: GEOFFREY MILNE ; Sex Diary of an Infidel, Underwear, Perfume and Crash Helmet, and Jerusalem by MichaelGurr, and All Souls by Daniel Keene |
|
|
Unfortunately you do not have access to this item |
| Review: JOHN DOWNIE. Eugenia by Lorae Parry, and Playlunch:Five Short New Zealand Plays ed. Christine Prentice and Lisa Warrington |
|
|
Unfortunately you do not have access to this item |
| Review: JONATHAN DAWSON: Spotswood: The Screenplay by Max Dann and Andrew Knight and Cosi: The Screenplay by Louis Nowra |
|
|
Unfortunately you do not have access to this item |
| Review: JOANNE TOMPKINS ; Performing Nostalgia: Shifting Shakespeare and the Contemporary Past by Susan Bennett |
|
|
Unfortunately you do not have access to this item |
| Review: LLOYD DAVIS: Hamlet Theory in Practice Series, ed. Peter J.Smith and Nigel Wood, and Scocial Shakesoeare: Aspects of Renaissance Dramaturgy and Contemporary Society by Peter J.Smith |
|
|
Unfortunately you do not have access to this item |
| Review: DAVID CARNEGIE Theatre and Government Under the Early Stuarts, ed. j.R. Mulryne Shewring |
|
|
Unfortunately you do not have access to this item |
| Review:GARETH GRIFFITHS: Post-Colonial Drama:Theory, Practice, Politics by Helen Gilbert and Joanne Tompkins |
|
|
Unfortunately you do not have access to this item |
| Review: PAUL MAKEHAM: Australian Contemporary Drama (rev.ed.) by Dennis Carroll |
|
|
Unfortunately you do not have access to this item |
| Review: ALAN FILEWOOD: Challenging the Centre: Two Decades of Political Theatre, ed. Steve Capelinf |
|
|
Unfortunately you do not have access to this item |
| Review: JOANNE TOMPKINS ; Contemporary Dramatists, 5th ed., K.A.Berney |
|
|
Unfortunately you do not have access to this item |
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Co-editors: Caroline Wake (University of New South Wales) and Emma Willis (University of Auckland), and section editors (TBC) From Prime Minister Jacinda Ardern at the United Nations to comedian Hannah Gadsby on Netflix—the women of Aotearoa New Zealand and Australia ...
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PLEASE NOTE: DEADLINE FOR PROPOSALS 15 JANUARY 2018 Volume editors Heather Fitzsimmons-Frey & James McKinnon Devised theatre, performance creation, collective creation, performer-created theatre – by these or many other names, “devising” is increasingly visible in the global theatre industry, and ...
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Edited by Emma Willis (University of Auckland) and Alys Longley (University of Auckland) Kindness as a radical act is not just ‘being nice’ to one another; it is the core of articulating, recognising, and valuing the complexity and beauty of ...
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Expressions of interest are invited from scholars and scholar/practitioners for the next issues of the international, peer-reviewed e-journal. We would like to encourage all those interested in the history and practices of popular entertainments to submit a proposal for inclusion ...
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Expressions of interest are invited from scholars and scholar/practitioners for the next issues of the international, peer-reviewed e-journal. We would like to encourage all those interested in the history and practices of popular entertainments to submit a proposal for inclusion ...
Read More
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Jonathan Bollen is inviting proposals for Brill’s book series on Australian Playwrights and Australian Drama, Theatre and Performance. The series aims to publish scholarship on Australian drama, theatre and performance, both authored books and edited anthologies, including: critical studies ...
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ADSA has made a submission to the above inquiry. In our submission we argue that: • The Australian government’s response to the impact of COVID-19 on the arts sector has done very little to mitigate it; and in a related ...
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Call for contributions to Special Issue: Training for Performance Art and Live Art Guest edited by Professor Heike Roms (University of Exeter) Call Outline This special issue of Theatre, Dance and Performance Training (TDPT) is interested in the training of ...
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How Can the Show Go On? Performing Arts Wellbeing summit (Sydney) Monday, 13 Nov 2017 9.00am - 5.30pm The Studio, Sydney Opera House The summit has been developed by the NSW Performing Arts and Screen Working Group with support ...
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Proposal deadline 13th November 2020 (for publication in August 2022, 27.3) Co-editors: Molly Mullen (University of Auckland) and Kelly Freebody (University of Sydney) This themed issue brings a focus to the relationship between applied theatre, applied performance, drama education and ...
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