Australasian Drama Studies

Number 31 Oct 1997

Table of Contents

1. Issue 031 (Full Issue PDF)
2. BRUCE PARR, TIM BENZIE and SHANE ROWLANDS Introduction
3. LLOYD DAVIS Queer Criticism on Shakespeare
4. KEIRAN BABCOCK ‘Pleasure, danger and genderfucking’: an interview with Moira Flaucane
5. CHRISTOPHER BECKEY Hom(m)oerotics? Or to queer the male body on stage
6. PETA TAIT Interpreting bodily functions in queer performance
7. PHILIP BILTON-SMITH ‘Because they’re my people’: an interview with Alex Harding and Barry Lowe
8. STUART YOUNG Sleeping with the mainstream: gay drama and theatre in Britain moves in from the margin
9. SHANE ROWLANDS Textualities and Sexualities of Bodies in Motion: an interview with Gail Kelly
10. JONATHAN BOLLEN ‘What a queen’s gotta do’: queer performativity and the rhetoric’s of performance
11. Review: GREG MCCART, Aeschylus: Suppliants and Other Dramas: Persians, Seven Against Thebes, Fragments, Prometheus Bound,ed. Michael Ewans
12. Review: PHILIP BILTON-SMITH: Australian Gay and Lesbian Plays ed. Bruce Parr
13. Review: JONATHAN DAWSON: Blackrock: The Screenplay by Nick Enright and Love Serenade by Shirley Barrett
14. Review: LLOYD DAVIS: The Theatrical City: Culture, Theatre and Politics in London 1576-1649,eds. David L.Smith, Richard Strier & David Bevington, and Reading Shakespeare Historically by Lisa J
15. Review: ANDREW MCCANN: Impersonations: the Performance of Gender in Shakespeare's England by Stephen Orgel
16. Review: JIM DAVIS: The Theatre Industry in Nineteenth Century France by F.W.J. Hemmings
17. Review: RACHEL FENSHAM: Performance; a critical introduction by Marvin Carlson
18. Review: PETA TAIT: The Explicit Body in Performance by Rebecca Schneider
19. Review: MARGARET HENDERSON: Queer Theory by Annamarie Jagose