ADSA
Issue 31

Issue 31

Wed, 1 Oct 1997
Printable version
 

Australasian Drama Studies

Number 31 Oct 1997

 

Table of Contents

  1. Issue 031 (Full Issue PDF)
  2. BRUCE PARR, TIM BENZIE and SHANE ROWLANDS Introduction
  3. LLOYD DAVIS Queer Criticism on Shakespeare
  4. KEIRAN BABCOCK ‘Pleasure, danger and genderfucking’: an interview with Moira Flaucane
  5. CHRISTOPHER BECKEY Hom(m)oerotics? Or to queer the male body on stage
  6. PETA TAIT Interpreting bodily functions in queer performance
  7. PHILIP BILTON-SMITH ‘Because they’re my people’: an interview with Alex Harding and Barry Lowe
  8. STUART YOUNG Sleeping with the mainstream: gay drama and theatre in Britain moves in from the margin
  9. SHANE ROWLANDS Textualities and Sexualities of Bodies in Motion: an interview with Gail Kelly
  10. JONATHAN BOLLEN ‘What a queen’s gotta do’: queer performativity and the rhetoric’s of performance
  11. Review: GREG MCCART, Aeschylus: Suppliants and Other Dramas: Persians, Seven Against Thebes, Fragments, Prometheus Bound,ed. Michael Ewans
  12. Review: PHILIP BILTON-SMITH: Australian Gay and Lesbian Plays ed. Bruce Parr
  13. Review: JONATHAN DAWSON: Blackrock: The Screenplay by Nick Enright and Love Serenade by Shirley Barrett
  14. Review: LLOYD DAVIS: The Theatrical City: Culture, Theatre and Politics in London 1576-1649,eds. David L.Smith, Richard Strier & David Bevington, and Reading Shakespeare Historically by Lisa J
  15. Review: ANDREW MCCANN: Impersonations: the Performance of Gender in Shakespeare's England by Stephen Orgel
  16. Review: JIM DAVIS: The Theatre Industry in Nineteenth Century France by F.W.J. Hemmings
  17. Review: RACHEL FENSHAM: Performance; a critical introduction by Marvin Carlson
  18. Review: PETA TAIT: The Explicit Body in Performance by Rebecca Schneider
  19. Review: MARGARET HENDERSON: Queer Theory by Annamarie Jagose

Issue 031 (Full Issue PDF)  
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BRUCE PARR, TIM BENZIE and SHANE ROWLANDS Introduction  
Unfortunately you do not have access to this item
LLOYD DAVIS Queer Criticism on Shakespeare  
Unfortunately you do not have access to this item
KEIRAN BABCOCK ‘Pleasure, danger and genderfucking’: an interview with Moira Flaucane  
Unfortunately you do not have access to this item
CHRISTOPHER BECKEY Hom(m)oerotics? Or to queer the male body on stage  
Unfortunately you do not have access to this item
PETA TAIT Interpreting bodily functions in queer performance  
Unfortunately you do not have access to this item
PHILIP BILTON-SMITH ‘Because they’re my people’: an interview with Alex Harding and Barry Lowe  
Unfortunately you do not have access to this item
STUART YOUNG Sleeping with the mainstream: gay drama and theatre in Britain moves in from the margin  
Unfortunately you do not have access to this item
SHANE ROWLANDS Textualities and Sexualities of Bodies in Motion: an interview with Gail Kelly  
Unfortunately you do not have access to this item
JONATHAN BOLLEN ‘What a queen’s gotta do’: queer performativity and the rhetoric’s of performance  
Unfortunately you do not have access to this item
Review: GREG MCCART, Aeschylus: Suppliants and Other Dramas: Persians, Seven Against Thebes, Fragments, Prometheus Bound,ed. Michael Ewans  
Unfortunately you do not have access to this item
Review: PHILIP BILTON-SMITH: Australian Gay and Lesbian Plays ed. Bruce Parr  
Unfortunately you do not have access to this item
Review: JONATHAN DAWSON: Blackrock: The Screenplay by Nick Enright and Love Serenade by Shirley Barrett  
Unfortunately you do not have access to this item
Review: LLOYD DAVIS: The Theatrical City: Culture, Theatre and Politics in London 1576-1649,eds. David L.Smith, Richard Strier & David Bevington, and Reading Shakespeare Historically by Lisa J  
Unfortunately you do not have access to this item
Review: ANDREW MCCANN: Impersonations: the Performance of Gender in Shakespeare's England by Stephen Orgel  
Unfortunately you do not have access to this item
Review: JIM DAVIS: The Theatre Industry in Nineteenth Century France by F.W.J. Hemmings  
Unfortunately you do not have access to this item
Review: RACHEL FENSHAM: Performance; a critical introduction by Marvin Carlson  
Unfortunately you do not have access to this item
Review: PETA TAIT: The Explicit Body in Performance by Rebecca Schneider  
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Review: MARGARET HENDERSON: Queer Theory by Annamarie Jagose  
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