Australasian Drama Studies

Number 32 April 1998

Table of Contents

1. Issue 032 (Full Issue PDF)
2. RHODA ROBERTS The 1997 Rex Cramphorn memorial lecture: A passion for ideas: Black stage
3. JUDY PIPPEN Ranged between Heaven and Hades: actors’ bodies in cross-cultural theatre forms
4. FRANCES DEVLIN-GLASS ‘Every man who is not Petruchio doth wish he was’: postfeminist anxiety and the resistance in Dead White Males
5. KAORI KOBAYASHI Touring companies in the Empire: the Miln company’s Shakespearean productions in Japan
6. HELEN THOMSON Dymphna Cusack’s plays
7. Playscript: Panaylota by Angela Costi with an introduction by Kim baston
8. JOH HARTOG The computerized gaze and the performing arts
9. RICHARD FORTHERINGHAM Fingers in the text/book: compiling and editing theatre history
10. Review: KATHERINE NEWEY, Modern Drama by Women, 1880s-1930s. An International Anthology, ed. Katherine Kelly.pdf
11. Review: SIMON CHAN, Thieving Boy and Like Stars in My Hands by Tim Conigrave
12. Review: HELEN THOMSON, The Torrents by Oriel Gray and Blackrock by Nick Enright
13. Review: GEOFFREY MILNE Competitive Tenderness by Hannie Rayson and Waking Eve by Robert Hewett
14. Review: PAUL MAKEHAM The Ghosts Trilogy (Too Young For Ghosts; No Going Back; My Father's Father) by Janis Balodis
15. Review: KIM WALKER, Historiography and Ideology in Stuart Drama by Ivo Kanps
16. Review: HAROLD LOVE, Richard Davis, Anna Bishop: the Adventures of an Intrepid Prima Donna by Richard Davis and Florence Austral: One of the Wonder Voices of the World by James Moffat_.pdf
17. Review: HOWARD McNAUGHTON, Companion to Theatre in Australia, gen.ed. Phillip Parson with Victoria Chance
18. Review: DAVID WILLIAMS, Art Into Theatre: Performance Interviews and Documents by Nick Kaye
19. Review: SIMON WOODS, At Work with Grotowski on Physical Actions by Thomas Richards