ADSA
Issue 33

Issue 33

Thu, 1 Oct 1998
Printable version
 

Australasian Drama Studies

Number 33 Oct 1998

 

Table of Contents

  1. Issue 033 (Full Issue PDF)
  2. TOM BURVIL and CHRIS WORTHAM Foreward
  3. LLOYD DAVIS Why speak to the dead?!! Teaching and researching Renaissance drama
  4. FRANCES DEVLIN-GLASS “Teaching the audience with the play’: feminism and Shakespeare at the Melbourne Theatre Company, 1984-93
  5. PHILLIPA KELLY ‘Laughing in his face’: Australia’s Shakespeare
  6. ADRAIN KIERNANDER ‘Cupid’s bow burn’d; or, difference endangered in John Lily’s Gallathea and Shakespeare’s cross-dress comedies
  7. GEOFFREY MILNE Shakespeare under the stars: a new ‘Elizabethan’ tradition
  8. ANTHONY MILLER ‘Imperial Caesar’: Shakespeare’s Julius Caesar on the Australian stage, 1856-1889
  9. LUCY POTTER Hamlet and the scene of pedagogy
  10. KAORI KOBAYASHI Shakespeare wallah: George C. Miln’s Shakespearean productions in India
  11. MARK MINCHINTON The right and only direction: Rex Cramphorn, Shakepeare, and the Actor’s Development Stream
  12. PAUL WASHINGTON ‘Bardbiz’ in colonial Australia: the formation of a cultural institution
  13. LLOYD DAVIS Reviewing the Renaissance
  14. Review: PAMELA A FOULKES, My Body. My Blood by Margaret Kirby
  15. Review: MEREDITH ROGERS, Black Sequin Dress by Jenny Kemp
  16. Review: RACHEL FENSHAM, Australian Women's Drama, ed. Peta Tait and Elizabeth Schafer
  17. Review: GREG McCART, Three Plays by Aristophanes: Staging Women trans, Jeffrey Henderson
  18. Review: ALAN BRISSENDEN, Shakespeare's The Merchant of Venice, d. Penny Gay
  19. Review: JOHN DOWNIE. Shakespeare and the moving Image: The Plays on Film and Television, ed. Anthony Davies and Stanley Wells
  20. Review: RICHARD MADELAINE, The Texts of 'Othello' and Shakespearian Revision by E.A.J. Honigmann
  21. Review: HAROLD LOVE Come to Dazzle: Sarah Bernhardt's Australian Tour by Corille Fraser
  22. Review: IAN MAXWELL, Performing Brecht Forty Years of British Performances by Margaret Eddershaw
  23. Review: JANE GOODALL, A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage,ed. Carol Martin
  24. Review: TOM BURVILL, The Intercultural Performance Reader, ed. Patrice Pavis
  25. Review: TOM BURVILL, The Intercultural Performance Reader, ed. Patrice Pavis

Issue 033 (Full Issue PDF)  
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TOM BURVIL and CHRIS WORTHAM Foreward  
Unfortunately you do not have access to this item
LLOYD DAVIS Why speak to the dead?!! Teaching and researching Renaissance drama  
Unfortunately you do not have access to this item
FRANCES DEVLIN-GLASS “Teaching the audience with the play’: feminism and Shakespeare at the Melbourne Theatre Company, 1984-93  
Unfortunately you do not have access to this item
PHILLIPA KELLY ‘Laughing in his face’: Australia’s Shakespeare  
Unfortunately you do not have access to this item
ADRAIN KIERNANDER ‘Cupid’s bow burn’d; or, difference endangered in John Lily’s Gallathea and Shakespeare’s cross-dress comedies  
Unfortunately you do not have access to this item
GEOFFREY MILNE Shakespeare under the stars: a new ‘Elizabethan’ tradition  
Unfortunately you do not have access to this item
ANTHONY MILLER ‘Imperial Caesar’: Shakespeare’s Julius Caesar on the Australian stage, 1856-1889  
Unfortunately you do not have access to this item
LUCY POTTER Hamlet and the scene of pedagogy  
Unfortunately you do not have access to this item
KAORI KOBAYASHI Shakespeare wallah: George C. Miln’s Shakespearean productions in India  
Unfortunately you do not have access to this item
MARK MINCHINTON The right and only direction: Rex Cramphorn, Shakepeare, and the Actor’s Development Stream  
Unfortunately you do not have access to this item
PAUL WASHINGTON ‘Bardbiz’ in colonial Australia: the formation of a cultural institution  
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LLOYD DAVIS Reviewing the Renaissance  
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Review: PAMELA A FOULKES, My Body. My Blood by Margaret Kirby  
Unfortunately you do not have access to this item
Review: MEREDITH ROGERS, Black Sequin Dress by Jenny Kemp  
Unfortunately you do not have access to this item
Review: RACHEL FENSHAM, Australian Women's Drama, ed. Peta Tait and Elizabeth Schafer  
Unfortunately you do not have access to this item
Review: GREG McCART, Three Plays by Aristophanes: Staging Women trans, Jeffrey Henderson  
Unfortunately you do not have access to this item
Review: ALAN BRISSENDEN, Shakespeare's The Merchant of Venice, d. Penny Gay  
Unfortunately you do not have access to this item
Review: JOHN DOWNIE. Shakespeare and the moving Image: The Plays on Film and Television, ed. Anthony Davies and Stanley Wells  
Unfortunately you do not have access to this item
Review: RICHARD MADELAINE, The Texts of 'Othello' and Shakespearian Revision by E.A.J. Honigmann  
Unfortunately you do not have access to this item
Review: HAROLD LOVE Come to Dazzle: Sarah Bernhardt's Australian Tour by Corille Fraser  
Unfortunately you do not have access to this item
Review: IAN MAXWELL, Performing Brecht Forty Years of British Performances by Margaret Eddershaw  
Unfortunately you do not have access to this item
Review: JANE GOODALL, A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage,ed. Carol Martin  
Unfortunately you do not have access to this item
Review: TOM BURVILL, The Intercultural Performance Reader, ed. Patrice Pavis  
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