Australasian Drama Studies

Number 39 October 2001

Performance Studies in Australia
Edited by Gay McAuley, Glenn D’Cruz and Alison Richards
A special focus issue of Australasian Drama Studies

Table of Contents

1. Issue 039 (Full Issue PDF)
2. Performance Studies: Definitions, Methodologies, Future Directions GAY McAULEY
3. Performance Studies in Australia Today: a Survey of the Field GLENN D’CRUZ
4. Learning in/Through Crisis IAN MAXWELL
5. Shaking the Frame: Erving Goffman and Performance Studies ALISON RICHARDS
6. Toil and Traffic: Australian Appropriations of the Suzuki Method HELEN GILBERT and JACQUELINE LO
7. The Dialectics of Inter-Cultural Performance: Towards a Historiographic Cross-Cultural Praxis JONATHAN MARSHALL
8. The More Things Change the More They Stay the Same…’? Feminisms and Performance Studies KERRIE SCHAEFER and LAURA GINTERS
9. Performance Studies: a Tour Through the Field JONATHAN BOLLEN
10. Discourses of an ‘International’ Disciplinary F ormation: Australian and International Performance Studies Conference Diaries 1991-2001 RACHAEL FENSHAM
11. Discussing Theory-Practice Relationships in Performance: a Round-Table Discussion with Annette Tesoriero, Tess de Quincey,Deborah Pollard, John Baylis, David Pledger, Josephine Wilson PETER EC
12. Review:HELEN THOMSON, Meat Party by Duong Le Quy
13. Review: BARBARA JOSEPH, Sweet Road by Deborah Oswald
14. Review: GEOFFREY MILNE, Melbourne Stories: Three Plays: Who’s Afraid of the Working Class? by Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela; Polly Blue by

Reviews

TOM BURVILL, The Chekhov Theatre: A Century of the Plays in Performance by Laurence Senelick

REBECCA PELAN, The Politics of Irish Drama: Plays in Context from Boucicault to Friel by Nicholas Grene

JACQUELINE LO, The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization by Rustom Bharucha