 Australasian Drama Studies
Volume 53 October 2008
Contents
MEREDITH ROGERS and ELIZABETH SCHAFER
Introduction:Lineages, Techniques, Training and Traditions
BREE HADLEY
Influences, Institutions and Outcomes: A Survey of Masters and Doctoral Theses on Actor Training in Australia, 1979-2004
IAN MAXWELL
'All Exercise Sessions to Take Place in Complete Silence': Performance Syndicate and the Rise and Fall of the Grotowskian Ideal 1969-1974
GEOFFREY MILNE
Lighthouse: A 'Mainstage" Ensemble Experience
PETER ECKERSALL and YONI PRIOR
Lineages, Training, Techniques and Tradition: Rethinking the Place of Rusden in Melbourne's Contemporary Theatre - A Roundtable Discussion
LIZA-MARE SYRON
'The Bennelong Complex': Critical Perspectives on Contemporary Indigenous Theatre and Performance Practice
PETA TAIT
Bodies Perform Inner Emotions: Stanislavski's Legacy
BARRY LAING
Physical Practice/Imaginal Play: Un-disciplining the Performer
ANDREW FILMER
The Place of Theatre Practice: Training and Aesthetic Tradition at Belvoir Street
MEREDITH ROGERS
Actors and Chairs: Towards the Genealogy of a Rehearsal Room Exercise
KATE ROSSMANITH
Traditions and Training in Rehearsal Practice
JULIAN MEYRICK
Wayne Blair in Interview
NIAMH DOWLING
Moving into Performance:Using the Principles of the Alexander Technique to Underpin and Enhance the Ator's Training
LYNN EVERETT
Jacques Lecoq's Bouffons in Australia
ROSEMARY FARRELL
Nanjing Project: Chinese Acrobatcs, Australain New Circus and Hybrid Intercultural Performance
MARIA BRIGIDA DE MIRANDA
The NYID Workshop: Physical Performance in Space
Reviews
HILARY HALBA, Number Two and BARE by Tao Fraser;
LISA WARRINGTON, Three Plays: Skin Tight, Mo & Jess Kill Susie,
An Unseasonable Fall of Snow by Gary Henderson;
JERRY JAFFEE, Performing Aotearoa: New Zealand Theatre & Drama in an age of Transition by Marc Maufort and David O'donnell, eds;
JASNA NOVAKOVIC, Plays of the '50s, Volume 1, by Katherine Brisbane, ed.;
MARK SETON, Riflemind by Andrew Upton;
MARK SETON, It Just Stopped and Myth, Propaganda and Disaster in Nazi Germany and Contemporary America: A Drama in 30 Scenes by Stephen Sewell;
ADAM BROINOWSKI, Strangers Inbetween and adaptation of Timothy Conigrave's Holding the Man by Tommy Murphy;
GLENN D'CRUZ, Stage Presence by Jane Goodall;
ADAM BROINOWSKI, Class Act: Melbourne Workers Theatre 1987-2007 by Glen D'Cruz ed.;
WILLIAM PETERSON, Haresh Sharma: The Cultural Politics of Playwriting in Contemporary Singapore, Interlogue: Studies in Singapore Literature, Volume 6, by David Birch;
BRYONI TREZISE, The Theatre of Societas Raffaello Sanzio by Claudia Castellucci, Romeo Castellucci, chiara Guidi, Joe Kelleher and Nicholas Ridout.
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