 Australasian Drama Studies
Volume 55 October 2009
Table of Contents - Issue 055 (Full Issue PDF)
- JERRY C. JAFFE Loop/I/-ness in the New Zealand Performance of Identity (or, Id Entity)
- DAVID O'DONNELL Politics of Place and Extended Family in Taki Rua Productions' 25th Year: Strange Resting Places and Te Karakia
- STUART YOUNG and MEI-LIN TE PUEA HANSEN A Dramatic Hijacking: Arthur Millerising Haruru Mai at the Auckland Theatre Company
- HILARY HALBA The Flames of Hope: The Representation of Prophecy in Two New Zealand Plays
- ADRIANN SMITH Home Land or Homeland?: Taking Root in the Land of Aotearoa/New Zealand
- LISA WARRINGTON Landscape, Body, memory and Belonging in the plays of Gary Henderson
- GEORGE PARKER Hatching: Hatch or the Plight of the Penguins and the Search for a sense of Place in New Zealand Solo Performance
- PALOMA FRESNO CALLEJA Monodramas for a Multiculture: Performing New Zealand Chinese Identities in Linda Chanwai-Earle's Ka Shue/Letters Home
- MURRAY EDMOND 'I Want You Boys to Cook Pig': the Two No.2s
- IAN GASKELL Truth, Identity and the Sense of 'Pacificness'
- MOIRA FORTIN Takona: Body Painting in Rapa Nui Performing Arts
- Review:MARY ELIZABETH ANDERSON,Unstable Ground: Performance and the Politics of Place, edited by Gay McAuley;
- Review:MARYROSE CASEY, 'Your Genre is Black':Indigenous Performaing Arts and Policy, by Hilary Glow and Katya Johanson;
- Review: JONATHAN W. MARSHALL, Anatomy Live: Performing and the Operating Theatre, edited by Maaike Bleeker;
- Review: GEOFFREY MILNE, Directors/Directing: Conversations on Theatre, by Maria Shevtsova and Christopher Innes;
- Review: JOHN JACOBS, Bertolt Brecht, by Meg Mumford:
- Review: DAVID O'DONNELL, The Cape, by Vivienne Plumb and The Mall, by Thomas Sainsbury
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| Issue 055 (Full Issue PDF) |
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Unfortunately you do not have access to this item |
| JERRY C. JAFFE Loop/I/-ness in the New Zealand Performance of Identity (or, Id Entity) |
|
|
Unfortunately you do not have access to this item |
| DAVID O'DONNELL Politics of Place and Extended Family in Taki Rua Productions' 25th Year: Strange Resting Places and Te Karakia |
|
|
Unfortunately you do not have access to this item |
| STUART YOUNG and MEI-LIN TE PUEA HANSEN A Dramatic Hijacking: Arthur Millerising Haruru Mai at the Auckland Theatre Company |
|
|
Unfortunately you do not have access to this item |
| HILARY HALBA The Flames of Hope: The Representation of Prophecy in Two New Zealand Plays |
|
|
Unfortunately you do not have access to this item |
| ADRIANN SMITH Home Land or Homeland?: Taking Root in the Land of Aotearoa/New Zealand |
|
|
Unfortunately you do not have access to this item |
| LISA WARRINGTON Landscape, Body, memory and Belonging in the plays of Gary Henderson |
|
|
Unfortunately you do not have access to this item |
| GEORGE PARKER Hatching: Hatch or the Plight of the Penguins and the Search for a sense of Place in New Zealand Solo Performance |
|
|
Unfortunately you do not have access to this item |
| PALOMA FRESNO CALLEJA Monodramas for a Multiculture: Performing New Zealand Chinese Identities in Linda Chanwai-Earle's Ka Shue/Letters Home |
|
|
Unfortunately you do not have access to this item |
| MURRAY EDMOND 'I Want You Boys to Cook Pig': the Two No.2s |
|
|
Unfortunately you do not have access to this item |
| IAN GASKELL Truth, Identity and the Sense of 'Pacificness' |
|
|
Unfortunately you do not have access to this item |
| MOIRA FORTIN Takona: Body Painting in Rapa Nui Performing Arts |
|
|
Unfortunately you do not have access to this item |
| Review:MARY ELIZABETH ANDERSON,Unstable Ground: Performance and the Politics of Place, edited by Gay McAuley; |
|
|
Unfortunately you do not have access to this item |
| Review:MARYROSE CASEY, 'Your Genre is Black':Indigenous Performaing Arts and Policy, by Hilary Glow and Katya Johanson; |
|
|
Unfortunately you do not have access to this item |
| Review: JONATHAN W. MARSHALL, Anatomy Live: Performing and the Operating Theatre, edited by Maaike Bleeker; |
|
|
Unfortunately you do not have access to this item |
| Review: GEOFFREY MILNE, Directors/Directing: Conversations on Theatre, by Maria Shevtsova and Christopher Innes; |
|
|
Unfortunately you do not have access to this item |
| Review: JOHN JACOBS, Bertolt Brecht, by Meg Mumford: |
|
|
Unfortunately you do not have access to this item |
| Review: DAVID O'DONNELL, The Cape, by Vivienne Plumb and The Mall, by Thomas Sainsbury |
|
|
Unfortunately you do not have access to this item |
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