 Australasian Drama Studies
Volume 55 October 2009
Contents
JERRY C. JAFFE
Loop/I/-ness in the New Zealand Performance of Identity (or, Id Entity)
DAVID O'DONNELL
Politics of Place and Extended Family in Taki Rua Productions' 25th Year: Strange Resting Places and Te Karakia
STUART YOUNG and MEI-LIN TE PUEA HANSEN
A Dramatic Hijacking: Arthur Millerising Haruru Mai at the Auckland Theatre Company
HILARY HALBA
The Flames of Hope: The Representation of Prophecy in Two New Zealand Plays
ADRIANN SMITH
Home Land or Homeland?: Taking Root in the Land of Aotearoa/New Zealand
LISA WARRINGTON
Landscape, Body, memory and Belonging in the plays of Gary Henderson
GEORGE PARKER
Hatching: Hatch or the Plight of the Penguins and the Search for a sense of Place in New Zealand Solo Performance
PALOMA FRESNO CALLEJA
Monodramas for a Multiculture: Performing New Zealand Chinese Identities in Linda Chanwai-Earle's Ka Shue/Letters Home
MURRAY EDMOND
'I Want You Boys to Cook Pig': the Two No.2s
IAN GASKELL
Truth, Identity and the Sense of 'Pacificness'
MOIRA FORTIN
Takona: Body Painting in Rapa Nui Performing Arts
Reviews
MARY ELIZABETH ANDERSON,Unstable Ground: Performance and the Politics of Place, edited by Gay McAuley;
MARYROSE CASEY, 'Your Genre is Black':Indigenous Performaing Arts and Policy, by Hilary Glow and Katya Johanson;
JONATHAN W. MARSHALL, Anatomy Live: Performing and the Operating Theatre, edited by Maaike Bleeker;
GEOFFREY MILNE, Directors/Directing: Conversations on Theatre, by Maria Shevtsova and Christopher Innes;
JOHN JACOBS, Bertolt Brecht, by Meg Mumford:
DAVID O'DONNELL, The Cape, by Vivienne Plumb and The Mall, by Thomas Sainsbury
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