Australasian Drama Studies

Issue 59 October 2011

Contents

Introduction
CASEY, MARYROSE; PETERSON, WILLIAM

Articles

Interculturality, performance and everyday life
JENKINSON, AYSHE

To touch the infinity of a far horizon: A transnational history of transcultural appropriation in beth Dean's Corroboree (1954)
HASKINS, VICTORIA

Borrowed dances: Appropriation, authenticity and performing 'Identity' in Prescott, Arizona, 1921-1990
RUSSELL, LYNETTE

Performing for Aboriginal Life and Culture: 'Aboriginal Theatre and Ngurrumilmarrmiriyu'
CASEY, MARYROSE

Tu Taha, Tu Kaha: Transcultural dialogues
HALBA, HILARY; MCCALLUM, RUA; HOLMES, HUATA

Maori performance: Marae Liminal space and transformation
MCCALLUM, RUA

Performance: Ethnographer/Tourist/Cannibal
MAZER, SHARON

The Santo Nino made me do it: Falling out of ethnographic time at Ati-atihan
PETERSON, WILLIAM

Translating 'Gaytown': The collision of global and local in bringing Australian queer play bison to belfast
CAMPBELL, ALYSON

Recovering Elfriede Jelinek - but for whom?: Creative homesickness as a motor for cultural transfer
BASTIAN, ANDRE

Telling the self, splitting the self: identity construction in Canadian and Australian multicultural theatre
HOPTON, TRICIA

Reviews

The Theatre of Naturalism: Disappearing Act [Book Review]
D'CRUZ, GLENN

A raffish experiment: Collected writings of Rex Cramphorn [Book Review]
MEYRICK, JULIAN

The empire actors: Stars of Australasian costume drama 1890s-1920s
O'CONNOR, BARRY

The rise and fall of the VCA [Book Review]
MARSHALL, JONATHAN W

Circus: The Australian story [Book Review]
MILNE, GEOFFREY