April 2014
Full Issue PDF
Contents
Meredith Rogers and Julian Meyrick
Introduction
Helen Thomson
Obituary for GJM
Geoffrey Milne
Australian Theatre in the 1980s: Trends and Movements
Robert Reid
A City This Size Should Have So Many Theatres: The Church Theatre, 1983–1989
Paul Davies
Dramatic Tales Stir the Suburbs: Melbourne's Location Theatre Movement, 1979–1990
Meredith Roger
At Home with The Mill: Democratic Theatre-Making in Geelong, 1978–1984
Jane Mullett
Australian New Circus in the 1980s
Peter Eckersall (Moderator) with Russell Walsh, Suzanne Chaundy, Peter King, Patricia Cornelius, Bob Pavlich, John Ellis
Round Table on Theatre in Melbourne in the 1980s
Julian Meyrick
The Logic of Culture: The Fate of Alternative Theatre in the Post-Whitlam Period
Glenn d'Cruz
The Man Who Mistook Marat for Sade: 'Living' Memory and the Video Archive
Alison Richards
Your History: Manning Clark's A History of Australia and the End of the New Wave
Gillian Arrighi
Towards a Cultural History of Community Circus in Australia
Rebekah Woodward-Hanna
A Patchwork of Participation: Wan Smolbag Theatre's 'Big Plays' in Vanuatu
Natalie Lazaroo
We're Off to See the Wizard of Auslan: Translating Deaf Experience Through Community Performance
Jonathan Bollen
From The Silver Lining to The Roaring Days!: Amateur Theatre and Social Class in Broken Hill, 1940s–1960s
Murray Couch
Sex, Gender and the Industrial: Plays Performed by Broken Hill Repertory Society, 1945–1969
Chris Wenn
How I Heard: The 'Phenomenarchaeology' of Performance
Reviews
HELENA GREHAN, Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era, by Denise Varney, Peter Eckersall, Chris Hudson and Barbara Hatley;
ANDRÉ BASTIAN, Telling Stories: Aboriginal Australian and Torres Strait Islander Performance, by Maryrose Casey, with an Afterword by Liza-Mare Syron;
KIM BASTON, 'We're People Who Do Shows': Back To Back Theatre: Performance Politics Visibility, edited by Helena Grehan and Peter Eckersall;
KAREN KARTOMI THOMAS, Performance, Popular Culture, and Piety in Muslim Southeast Asia, edited by Timothy P. Daniels;
FELIX NOBIS, The Twentieth-Century Performance Reader, 3rd edn, edited by Teresa Bradshaw and Noel Witts;
MERRILEE MOSS, Transparency, by Suzie Miller, Kelly, by Matthew Ryan, and Cyberbile and Grounded, by Alana Valentine;
LISA WARRINGTON, Downfall: Three New Zealand History Plays, by Michelanne Forster, and Playmarket 40: 40 Years of Playwriting in New Zealand, edited by Laurie Atkinson, and David O'Donnell:
RAND T. HAZOU, Rebellious Mirrors: Community-Based Theatre in Aotearoa/New Zealand, by Paul Maunder;
DAVID O'DONNELL, Me & Robert McKee, by Greg McGee;
EMMA WILLIS, Three Plays: Robert Lord, edited by Philip Mann;
DAVID O'DONNELL, Twenty New Zealand Playwrights, by Michelanne Forster and Vivienne Plumb
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