October 2014
Full Issue PDF
Contents
Introduction
Russell Fewster
Staging David Hicks
Richard Jordan
Digital Alchemy: The Posthuman Drama of Adam J.A. Cass's
I Love You, Bro
Jodie Mcneilly
A Phenomenology of Chunky Move's GLOW: Moves Toward
a Digital Dramaturgy
Lara Stevens
Alienation in the Information Age: Wafaa Bilal's Domestic Tension
Suzanne Kersten, David Pledger, Julian Rickert, Tamara Saulwick and Hellen Sky with Gorkem Acaroglu and Glenn D'Cruz
Working with Technology/Making Technology Work: a Round Table Discussion
Robert Walton
Bewildering Behaviour: Practice as Research for Audiences and
Other Creators of Immersive Performance
Robin Deacon
White Balance: a History of Video
Yoni Prior
Impossible Triangles: Flat Actors in Telematic Theatre
Asher Warren
Mixed Actor Network Reality: a Performance in Three Networks
Susan Broadhurst
Theorising Performance and Technology:
Aesthetic and Neuroaesthetic Approaches
Gorkem Acaroglu
Cyborg Presence in Narrative Theatre
Yuji Sone
Imaginary Warriors: Fighting Robots in Japanese Popular Entertainment Performance
Glenn D'Cruz
6 Things I Know About Geminoid F, or What I Think About
When I Think About Android Theatre
Gorkem Acaroglu
Sayonara Interviews: Android–Human Theatre
Reviews
VERONICA KELLY, Circus and Stage: The Theatrical Adventures of Rose Edouin and G.B.W. Lewis, by Mimi Colligan;
PAUL MONAGHAN, Postdramatic Theatre and the Political, edited by Karen Jürs-Munby, Jerome Carroll and Steve Giles;
NICOLA HYLAND, Enacting Nature: Ecocritical Perspectives on Indigenous Performance, edited by Birgit Dawes and Marc Maufort;
FIONA GREGORY, Rhythm and Meaning in Shakespeare: A Guide for Readers and Actors, by Peter Groves;
CHRIS HAY, Teaching Shakespeare and Marlowe: Learning Versus the System, by Liam E. Semler; and
KATH BICKNELL, The Audience Experience: A Critical Analysis of Audiences in the Performing Arts, edited by Jennifer Radbourne, Hilary Glow and Katya Johanson.
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