April 2015
Full Issue PDF
Contents
Australian Gothic Drama: Mapping a Nation’s Trauma from Convicts to the Stolen Generation
by Stephen Carleton
Andrew Bovell’s When the Rain Stops Falling: Theatre in the Age of ‘Hyperobjects’
by Mohebat Ahmadi
Patrick White and Aesthetic Modernism in Mid-Century Australia
by Denise Varney and Sandra D’Urso
Radical Adaptation: Hypertextuality, Feminism and Motherhood in The Rabble’s Frankenstein (After Mary Shelley)
by Sarah French
The Grotesque and the Gothic in Peter King’s John Gabriel Borkman: A Reflection from the Inside
by Jim Daly
A Thousand Hills: Responding to the Ethical Nightmare
by Emma Willis
Performing Cultural Heritage: Authenticity and the Spirit of Rebellion
by Angela Campbell
Performing Haunting Histories: A Psychogeographical Reading of Two Site-Specific Performance Projects on Rottnest Island
by Hannah Böttcher and Alexandra Ludewig
Community Engagement or Community Conversation?: Boomtown, a Large-Scale Regional, Outdoor Community Theatrical Event
by Danielle Carter and Caroline Heim
The Castanet Club: History, Provenance and Influence
by Terence Crawford
Reviews
JAMES MCKINNON, Theatre’s Heterotopias: Performance and the Cultural Politics of Space, by Joanne Tompkins;
KAREN KARTOMI THOMAS, Performativity and Event in 1960s Japan: City, Body, Memory, by Peter Eckersall;
EMMA WILLIS, Visions and Revisions: Performance, Memory, Trauma, edited by Bryoni Trezise and Caroline Wake;
D.B. VALENTINE, Staging Asylum: Contemporary Australian Plays About Refugees, edited by Emma Cox;
NICOLA HYLAND, Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others, by Emma Willis;
SALLY RICHARDS, International Women Stage Directors, edited by Anne Fliotsos and Wendy Vierow;
LINDSAY ANN REID, Women in Shakespeare: A Dictionary, by Alison Findlay;
SARAH PETERS, Shafana and Aunt Sarrinah: Soft Revolution, by Alana Valentine;
HILARY HALBA, Don’t Mention Casablanca, by Michelanne Forster;
EMMA WILLIS, Falling and Other Short Plays, by Angie Farrow;
STUART YOUNG, Then It Was Now Again: Selected Critical Writings, by Murray Edmond
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