ADSA
Issue 69

Issue 69

Sat, 1 Oct 2016
Printable version

October 2016

Full Issue PDF

Contents

Editorial Note
by Meredith Rogers, Mick Douglas and Bree Hadley

Performing Mobilities 
Mick Douglas

Mobilising the Mobilities Paradigm in Drama, Theatre and Performance Studies: Potentials, Politics and Pitfalls
Bree Hadley

Moving ‘Misfits’ 
Kate Maguire-Rosier

Ship Inventory: Preparations Across Twelve Months 
Amaara Raheem

Layne Waerea’s Public Laughter 
Christopher Braddock

5 Short Blasts 
Madeleine Flynn and Tim Humphrey

Migrant Mobilities: Cruel Optimism and the Case of A.J. D’Cruz 
Glenn D’Cruz

Algorithmic Misfits 
Ben Landau

Unsteady Belongings: Rethinking the Experience of Nation through Movement 
Justine Shih Pearson

14 Thoughts about the Ghan – in the Shape of a Train 
Meredith Rogers

Like Riding a Bicycle: Achieving Balance through Mobility in Site-Specific Performance – A Comparative Study of Railway Wonderland (2015) 
by Northern Rivers Performing

Arts and Sir Don v The Ratpack (2009) 
by Guerrilla Street Theatre Paul Davies

Reviews

SHARON MAZER,
Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania, by Diane Looser, and Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson;

JONATHAN W. MARSHALL,
I Shudder to Think: Performance as Philosophy, by Margaret Cameron;

NICOLA HYLAND,
Here/Now: 8 Plays by Award-Winning NZ Playwrights, edited by David O’Donnell; LISA WARRINGTON, The FitzGerald Brothers’ Circus: Spectacle, Identity and Nationhood at the Australian Circus,by Gillian Arrighi;

EMMA WILLIS,
Despatch, by Angie Farrow; JANE WOOLLARD, Imagined Landscapes: Geovisualizing Australian Spatial Narratives, by Jane Stadler, Peta Mitchell and Stephen Carleton


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