ADSA
Issue 81

Issue 81

Fri, 18 Nov 2022
Printable version

Australasian Drama Studies

Issue 81 | October 2022


Table of Contents

  1. Issue 081 (Full Issue PDF)
  2. Contents
  3. Editorial: Queer Performance Jonathan Bollen , Alyson Campbelland, Liza-Mare Syron
  4. Koori Gras: A radical celebration of sparkling defiance – Liza-Mare Syron
  5. An HIV love story: Jacob Boehme’s Blood on the Dance Floor’s queer and Indigenous revolt – Jacob Boehme, Alyson Campbell and Jonathan Graffam
  6. Tracing Transitions – Stace Callaghan and Leah Mercer
  7. A Queer Performance New Wave in Sydney: Inside Club Bent 1995-1998–exploring hybridity and community – Catherine Fargher
  8. The Future is Now: Queer Utopian Longing and the Utopian Performative in Today x Future in Metro Manila – Ian Rafael Ramirez
  9. “Show me how you do it down under”: Realness at The West Ball II and the translation of vogue ballroom in Australia – Billy Kanafani
  10. Theatre as a Space of Resistance and Protest: Queer Politics and Colour of Trans 2.0 – Neethu Das. K and Vellikkeel Raghavan
  11. “We’ll meet you underground”: transcultural performance practices in queer space and time – Jeremy Neideck, Nathan Stoneham, Younghee Park, and M’ck McKeague
  12. Birds of A Feather: On Queerness, Performance, The Coming Back Out Ball, and LGBTIQ+ Elders Dance Club – Peta Murray, Adelaide Rief, Marnie Badham, Tristan Meecham, Bec Reid, Lenine Bourke
  13. A Rainbow in the Age of Covid: Contemporary Queer Theatre in Aotearoa – James Wenley and Nathan Joe
  14. Reviews
  15. Contributors
  16. test


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