| Issue 035 (Full Issue PDF) |
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| MARK ST LEON Introduction |
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| REG BOLTON Circus as education |
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| RICHARD WATERHOUSE Travelling shows in rural Australia 1850-1915 |
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| MIMI COLLIGAN Circus in theatre: Astley's amphitheatre, Melbourne 1854-1857 |
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| GAVIN ROBBINS The passion and totality of your body, mind and soul: an interview with Nigel Jamieson |
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| LYNN EVERETT Thrills and spills: the precarious life of Circus Monoxide |
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| JOHN WHITEOAK The development of Australian Circus Music |
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| DAVID C S SISSONS Japanese acrobatic troupes touring Australasia 1867-1900 |
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| CATHY J BARRETT and HEATHER VALLANCE The wild west show: socio-historic spectacle and character as circus |
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| PETA TAIT Circus bodies as theatre animals |
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| NICOLA BRACKERTZ The battle for colonial circus supremacy: John Bull, Uncle Sam and their 'Chariots of Fire' |
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| MARK ST LEON Noms d'arena: the use of pseudonyms in Australian circus |
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| MARK ST LEON Noms d'arena: the use of pseudonyms in Australian circus |
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| SUE BROADWAY Circus Oz - the first seven years: a memoir |
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| Review: MURRAY BRAMWELL The Blind Giant is Dancing the rev. ed by Stephen Sewell |
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| Review:JOANNE TOMPKINS Natural Life adapted by Humphrey Bower |
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Australasian Drama Studies