Australasian Drama Studies

Number 33 Oct 1998

Contents

TOM BURVIL and CHRIS WORTHAM
Foreward

LLOYD DAVIS
Why speak to the dead?!! Teaching and researching Renaissance drama

FRANCES DEVLIN-GLASS
“Teaching the audience with the play’: feminism and Shakespeare at the Melbourne Theatre Company, 1984-93

PHILLIPA KELLY
‘Laughing in his face’: Australia’s Shakespeare

ADRAIN KIERNANDER
‘Cupid’s bow burn’d; or, difference endangered in John Lily’s Gallathea and Shakespeare’s cross-dress comedies

GEOFFREY MILNE
Shakespeare under the stars: a new ‘Elizabethan’ tradition

ANTHONY MILLER
‘Imperial Caesar’: Shakespeare’s Julius Caesar on the Australian stage, 1856-1889

LUCY POTTER
Hamlet and the scene of pedagogy

KAORI KOBAYASHI
Shakespeare wallah: George C. Miln’s Shakespearean productions in India

MARK MINCHINTON
The right and only direction: Rex Cramphorn, Shakepeare, and the Actor’s Development Stream

PAUL WASHINGTON
‘Bardbiz’ in colonial Australia: the formation of a cultural institution

LLOYD DAVIS
Reviewing the Renaissance