Australasian Drama Studies
Number 33 Oct 1998
Contents
TOM BURVIL and CHRIS WORTHAM
Foreward
LLOYD DAVIS
Why speak to the dead?!! Teaching and researching Renaissance drama
FRANCES DEVLIN-GLASS
“Teaching the audience with the play’: feminism and Shakespeare at the Melbourne Theatre Company, 1984-93
PHILLIPA KELLY
‘Laughing in his face’: Australia’s Shakespeare
ADRAIN KIERNANDER
‘Cupid’s bow burn’d; or, difference endangered in John Lily’s Gallathea and Shakespeare’s cross-dress comedies
GEOFFREY MILNE
Shakespeare under the stars: a new ‘Elizabethan’ tradition
ANTHONY MILLER
‘Imperial Caesar’: Shakespeare’s Julius Caesar on the Australian stage, 1856-1889
LUCY POTTER
Hamlet and the scene of pedagogy
KAORI KOBAYASHI
Shakespeare wallah: George C. Miln’s Shakespearean productions in India
MARK MINCHINTON
The right and only direction: Rex Cramphorn, Shakepeare, and the Actor’s Development Stream
PAUL WASHINGTON
‘Bardbiz’ in colonial Australia: the formation of a cultural institution
LLOYD DAVIS
Reviewing the Renaissance
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