ADSA
Issue 48

Issue 48

Sat, 1 Apr 2006
Printable version

Australasian Drama Studies

Number 48 April 2006






 

Table of Contents

  1. Issue 048 (Full Issue PDF)
  2. CAROL LANGLEY Borrowed Voice: The Art of Lip-Synching in Sydney Drag
  3. LYNDON TERRACINI The Culture of Place: Making Australian Theatre
  4. NICOLE ANAE Adventures in Nineteenth-Century Gender-Bending: Lady Emilia Don in Tasmania, 1862 and 1865
  5. ANNA BEMROSE The Boy from Mount Gambier: Robert Helpmann’s Early Career in Australia (1917–1932)
  6. STEPHEN VAGG Frank Harvey: Australian Screenwriting Pioneer
  7. FIONA GREGORY High-Cultural Histrionics: Judith Anderson’s 1955 Australian Tour
  8. DAVID A WILLIAMS Political Theatrics in the ‘Fog of War’
  9. PAUL DWYER The inner lining of political discourse: presenting the version 1.0 remix of the Senate Select Committee on a Certain Maritime Incident
  10. JOHN McCALLUM CMI (A Certain Maritime Incident): Introduction
  11. CMI Performance Script 143
  12. RUTH THOMPSON Theatre/s of Peace and Protest: The Continuing Influence of Euripides’ Play The Trojan Women at the Nexus of Social Justice and Theatre Practice
  13. RICCI-JANE ADAMS Inheritors of the Dead Heart: Magical Realism in These People and Falling Petals by Ben Ellis
  14. ALISON LYSSA Black and White: Australia’s History Onstage in Four Plays of the New Millennium
  15. JACK TEIWES Nostalgia, Reconciliation or New National Myth?: The Adaptation of Cloudstreet to the Stage

Reviews

JENNY DE REUCK, Prologues to Shakespeare’s Theatre: Performance and Liminality in Early Modern Drama by Douglas Bruster and Robert Weimann

JOHN JACOBS, Talking to the Audience: Shakespeare, Performance, Self by Bridget Escolme

BREE HADLEY, Circus Bodies: Cultural Identity in Aerial Performance by Peta Tait

JONATHAN MARSHALL, Into Performance: Japanese Women Artists in New York by Midori Yoshimoto

DAVID MOODY, Theatrical Events: Borders, Dynamics, Frames eds Vicky Ann Cremona et al

BARRY O’CONNOR, Trade Secrets: Australian Actors and Their Craft by Terence Crawford

JONATHAN DAWSON, Three Dollars: Screenplay by Robert Connolly and Elliot Perlman


Issue 048 (Full Issue PDF)  
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CAROL LANGLEY Borrowed Voice: The Art of Lip-Synching in Sydney Drag  
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LYNDON TERRACINI The Culture of Place: Making Australian Theatre  
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NICOLE ANAE Adventures in Nineteenth-Century Gender-Bending: Lady Emilia Don in Tasmania, 1862 and 1865  
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ANNA BEMROSE The Boy from Mount Gambier: Robert Helpmann’s Early Career in Australia (1917–1932)  
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STEPHEN VAGG Frank Harvey: Australian Screenwriting Pioneer  
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FIONA GREGORY High-Cultural Histrionics: Judith Anderson’s 1955 Australian Tour  
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DAVID A WILLIAMS Political Theatrics in the ‘Fog of War’  
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PAUL DWYER The inner lining of political discourse: presenting the version 1.0 remix of the Senate Select Committee on a Certain Maritime Incident  
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JOHN McCALLUM CMI (A Certain Maritime Incident): Introduction  
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CMI Performance Script 143  
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RUTH THOMPSON Theatre/s of Peace and Protest: The Continuing Influence of Euripides’ Play The Trojan Women at the Nexus of Social Justice and Theatre Practice  
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RICCI-JANE ADAMS Inheritors of the Dead Heart: Magical Realism in These People and Falling Petals by Ben Ellis  
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ALISON LYSSA Black and White: Australia’s History Onstage in Four Plays of the New Millennium  
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JACK TEIWES Nostalgia, Reconciliation or New National Myth?: The Adaptation of Cloudstreet to the Stage  
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