ADSA
Issue 67

Issue 67

Thu, 1 Oct 2015
Printable version

October 2015

Full Issue PDF
 

Contents

Not Just 'Evocative': The Function of Music in Theatre
by Kim Baston

Music, Silence and the Single Note in the Creation of Meaning in Theatre
by Bagryana Popov

The Theatre of Dreams: Hypnotism and the Science of Historical Action
by Andrew Lawrence-King

Music and Sound Design: A Round Table Discussion with Anna Liebzeit, Kelly Ryall and Ian Moorhead with Kim Baston

Jethro Woodward in Interview with Kim Baston

Sound (Image, Text): Audiovisual Relationships in M+M with Daniel Schlusser, Darrin Verhagen and James Paul.

David N. Martin and the Post-War 'Acts and Actors' of Australian Variety
by Veronica Kelly

Reading and Performing Abjection: Staging Joyce, a Professional Reflection by Frances Devlin-Glass

Reviews

NICOLA HYLAND, Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania, by Diana Looser;

MARGARET HAMILTON, The Politics of Interweaving Performance Cultures: Beyond Postcolonialism, edited by Erika Fischer-Lichte, Torsten Jost and Saskya Iris Jain;

PRATEEK, Bertolt Brecht: A Literary Life, by Stephen Parker;

SHARON MAZER, The Routledge Companion to Puppetry and Material Performance, edited by Dassia N. Posner, Claudia Orenstein and John Bell;

ANNA KAMARALLI, Women on the Early Modern Stage, edited by Frances E. Dolan, Lucy Munro, Brian Gibbons and Arthur F. Kinney;

CATHERINE FARGHER, The Curious Incident of the Dog in the Night-Time, by Simon Stephens;

MERRILEE MOSS, Engine by Janis Balodis and House on Fire, by Debra Oswald


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