| Issue 018 (Full Issue PDF) |
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| SEBASTIAN BLACK Guest Editorial and Contributors |
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| PETER HARCOURT ‘There’s gold in them thar files’: playscripts deposited for copyright registration |
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| KAREN SHERRY Popular entertainment in Auckland 1870-71 |
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| SIMON GARRETT The plays, playmakers and playhouses of recent New Zealand theatre |
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| MERVYN THOMPSON Passing through |
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| ROMA POTIKI A Maori point of view: the journey from anxiety to confidence |
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| STUART HOAR A playwright’s perspective |
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| LISA WARRINGTON A life long affair: Renee’s writing for the theatre. Commentary/interview |
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| SCRIPT: HONE TUWHARE’S IN THE WILDERNESS WITHOUT A HAT |
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| HONE TUWHARE: Tangi-Hanga, Preamble and Notes In the Wilderness Without a Hat, Music and lyrics |
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| JUDITH DALE Women’s theatre and why |
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| MURRAY EDMOND Lighting out for paradise: New Zealand theatre and the ‘other’ tradition |
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| Review: SIMON GARRETT: Squatter by Stuart Hoar |
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| Review: JANE STAFFORD; Jones and Jones by Vincent O'Sullivan |
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| Review: JOHN DOWNIE: Children of the Poor by Mervyn Thompson |
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| Review: DAVID CARNEGIE: The Land of the Moa by George Leitch, ed. Adrian Kiernander |
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| Review: HOWARD McNAUGHTON: David Williamson, ed. Ortun Zuber- Skerritt and Williamson by Peter Fitzpatrick |
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| Review: CHRIS WORTH: Cambridge Guide to World Theatre, ed. Martin Banham |
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| Review: GREGORY McCART: Public and Performance in the Greek Theatre by Peter D. Arnott |
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| Review: DAVID WATT: Community Theatre in Australia, ed. Richard Fotheringham |
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| Review: CARL CAULFIELD: Profiles by Kenneth Tynan |
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| Review: HARRY GARLICK: The Plantagenets by Adrian Noble |
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Australasian Drama Studies