GEOFFREY MILNE Playbox at the Malthouse: a new home for new Australian writing
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JOANNE TOMPKINS Time passed/Time past: the empowerment of woman and blacks in Australian feminist and Aboriginal drama
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JANE GOODALL Some rooms in outer space
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ELIZABETH SCHAFER Approaching Aphra
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IAN STUART Edward Bond’s Restoration
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MARGARET WILLIAMS Aspects of puppet theatre/ the language of the puppet
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RICHARD BRADSHAW Webb’s Royal Marionettes (1876-1886)
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ERIC IRVIN George Crichton Miln: an individualist on the Australian stage
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PETER LAVERY Actor training at Julliard and RADA
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Review: PETER FITZPATRICK: Daylight Saving by Nick Enright
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Review: JONATHAN DAWSON: Sweetie by Gerard Lee and Jane Campion; The Big Steal by David Parker
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Review: DENISE VARNEY: Top Silk by David Williamson
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Review: HELEN GILBERT: Blood Relations by David Malouf
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Review: PAUL HERLINGER: Reedy River by Dick Diamond
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Review: TONY MITCHELL: Top Girls by Caryl Churchill.; Churchill the Playwright by Geraldine Cousin; File on Churchill by Linda Fitzsimmons; Mad Forest by Caryl Churchill; Moscow Gold by Tariq
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Review: CARL CAUlFIELD: H.I.D. Hess is Dead by Howard Brenton
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Review: ELIZABETH PERKINS: Modern Australian Plays by Elizabeth Webby
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Review: HAROLD LOVE: Opera in New Zealand, ed. Adrienne Simpson
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Review: PHILIP LAWTON: Opera for the Antipodes by Alison Gyger
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Review: HOWARD McNAUGHTON: The State of Play by Leonard Radic
Australasian Drama Studies