 Australasian Drama Studies
Number 44 April 2004
Contents
Outside In: Theatre, Networks and Interdisciplinary Perspectives
MARIA SHEVTSOVA
'Hello Wien!'
The Eighth Rex Cramphorn Memorial Lecture
BARRIE KOSKY
Utopia, Maps and Ecstasy: Configuring Space in Barrie Kosky's 1996 Adelaide Festival
MARY ANN HUNTER
Making a Mythopoetic Theatre: Jenny Kemp as Director of an Imaginary Future-Past-Present
RACHEL FENSHAM
The Question of Authenticity in 1960s-1970s Californian Body art: Posing a Challenge to a Concept of Presence
ANJA KANNGIESER
Reconciling Shakespeare and Indigeneity in Australia: Star-Cross'd communities and Racial Tempests
EMMA COX
'...So Many Types, How Can All Be In The Same Category':Questioning Racial Boundaries in Mark de Silva's Stories for Amah
SUSAN PHILLIP
How Gothic is S/He? Three New Zealand Dramas
MURRAY EDMOND
Reviews
IAN MAXWELL, Performance and Evolution in the Age of Darwin: Out of the Natural Order by Jane R Goodall
SIMON DEVEREAUX, The Convict Theatres Early Australia, 1788-1840 by Robert Jordan
MIMI COLLIGAN, The Pollards: A Family and Its Child and Adult Opera Companies in New Zealand and Australia 1880-1910 by Peter Downes
HOWARD McNAUGHTON, Crucible of Cultures: Anglophone Drama at the Dawn of a New Millenium ed. Marc Maufort and Franca Bellarsi
DENISE VARNEY, Popular Theatre: A Sourcebook ed. joel Schechter
ANN WILSON, How Theatre Educates: Convergences & Counterpoints with Artists, Scholars and Advocates ed. Kathleen Gallagher and David Booth
JOANNE TOMPKINS, The Semiotics of Theatre and Drama, second edition by Keir Elam
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