Australasian Drama Studies

Theatre in Southeast Asia

Number 25 October 1994

Contents

JACQUELINE LO
Introduction

RON VERBURGT
‘I am because You are: You are because I am’: an interview with Rendra

BARBARA HATLEY
Stage texts and life texts: women in contemporary Indonesian theatre

JANET PILLAI & CHARLENE REJENDRAN
Teater Muda – an integrated arts approach towards devising plays with young people

ROBERT YEO
Theatre and censorship in Singapore

WILLIAM PETERSON
Sexual minorities on the Singapore stage

Playscript: Three Years in the Life and Death of Land by The Necessary Stage

Playscript: Boss by Peter Wijaya

DOREEN G. FERNANDEZ
The past is present: the development of modern Philippine theatre

MERLINDA BOBIS
Re-inventing the epic: notes on adapting a traditional genre

PAUL DOWSEY-MAGOG
Demons with mobile phones: evolutionary discourse in Thai shadow pupperty

HOANG SU
The past and the present of Vietnamese theatre

NOELLE JANACZEWSKA
They’re dancing the Lambada in Hanoi

PETER COPEMAN
The Hearts and Minds project: towards an Austral/Asian theatre

HELEN GILBERT
Occidental sex tourists: Michael Gurr’s Sex Diary of the Infidel