CfP Australasian Drama Studies Focus Issue: New Dramaturgies of Sound and Vision We invite submissions for this special issue of Australasian Drama Studies, Issue 79, October 2021. ADS Sound and Vision, guest edited by Pia Johnson and Miles O’Neil, is ...
**NEW REVISED DEADLINE FOR ABSTRACTS** The Centre for Critical and Creative Writing presents a symposium on Adaptation and the Australian Novel. Wednesday June 24 to Friday June 26 2020 The University of Queensland, St Lucia campus, Brisbane. Landmark Australian novels ...
Edited by Mary Luckhurst This edition of Australasian Drama Studies (ADS) celebrates the wealth and diversity of extraordinary actresses in Australasian theatres and performance and investigates how their work challenges, enriches and advances the theatre industry and debates about acting. ...
Reconnections: Looking back, moving forward, enacting change 2023 Dance & Somatic Practices Conference Deadline for the submissions: 30th November 2022. Proposals should be submitted online via Google Forms please follow this link: https://forms.gle/sh7zP2bjvQUg1qqM7 Confernce dates: Friday 14th to Sunday ...
Call for Papers Performance Research, vol. 28, no. 2, 2023 "On Invasion" Proposal Deadline: 27 June 2022 Issue Editors: Helena Grehan (Murdoch U) and Miriam Haughton (NUI Galway) We live in a world of unpredictability, fracture and powerlessness. Acts of ...
What might we teach Swedish student activist Greta Thunberg if she were to choose post-secondary education in theatre? As she says, she has no reason to fear speaking the truth: what approach to acting and theatre-making might we take with ...
Online Symposium: Adaptation and the Australian Novel Centre for Critical and Creative Writing, University of Queensland Tuesday 6 and Wednesday 7 April 2021 Landmark Australian novels are being adapted for the stage and screen at a rate we’ve not seen ...
The Centre for Critical and Creative Writing (CCCW) presents a symposium on Wicked Problems and Speculative Futures: Writing the Anthropocene 22-23 June, 2022 Hosted at St Lucia campus Brisbane/Meanjin and online by the University of Queensland (UQ) Timothy Morton ...
Call for Papers: Performance Paradigm 17 (2022) Perform or Else? Surveying the state of the discipline for the post-pandemic world Edited by Emma Willis (University of Auckland), Chris Hay (University of Queensland), and Nien Yuan Cheng (University of Sydney) ...
We would like to invite researchers to submit their work for discussion at the Political Performances Working Group meeting at the 2018 IFTR conference, which will take place on 9-13 July in Belgrade, Serbia. Presentation formats For IFTR 2018 we ...
Schedule: Abstract due: 30 September 2019. Notification of Acceptance: 31 October 2019. First drafts due: 31 January 2020. Final copy: February 2021. Publication: Aug 2021, 26.3 This special issue on Carcerality, Theatre, Rights invites submissions exploring the role of theatre ...
Co-editors: Caroline Wake (University of New South Wales) and Emma Willis (University of Auckland), and section editors (TBC) From Prime Minister Jacinda Ardern at the United Nations to comedian Hannah Gadsby on Netflix—the women of Aotearoa New Zealand and Australia ...
The latest Issue (77) of Australasian Drama Studies is published and now available on the ADS website. Edited by Jennifer Beckett, Rachel Fensham and Paul Rae, this focus issue examines cultural activity in regional, rural and remote Australasia. Diverse contributors ...
Dear Members, Announced this week, the V&A Museum is planning major cuts in staffing that will heavily impact curators and librarians and directly impact the Theatre and Performing Arts Dept which is earmarked for closure as part of the cuts. ...
An international conference organized by the Université Libre de Bruxelles (ULB) May 11-13, 2017 In the years that followed the end of Apartheid, South African drama, theatre and performance were characterized by a remarkable productivity, which entailed a process of ...
Performance Paradigm 17 (2022) Perform or Else? Revisiting Jon McKenzie's Work in the Post-Pandemic World Performance Paradigm 17 is online now! This latest issue revisits Jon McKenzie's Perform or Else, reflecting on the book's influence on performance studies and ...
WAAPA is hiring! We are currently looking for a Course Coordinator for our BPA Performance Making course. It’s a rare opportunity: being in the BPA Performance Making course represents a chance to shape a course that allows new, innovative artists ...
Annual Conference hosted by the School of Performing Arts at the University of Malta 13, 14, 15 March 2019 Keynote Speakers Anne Bogart (Co-founder and Artistic Director – SITI Company) Nicola Dibben (Department of Music, University of Sheffield) Royona Mitra ...
New Publication, Out now The Cambridge Companion to the Circus, edited by Gillian Arrighi and Jim Davis A terrific volume with 16 chapters over 2 parts. Gillian has shared the Cambridge 20% discount flyer, see attached. From the back cover: ...
INDELIBLE (Eng) / INDELEBILE (It) – Representation in the arts of (in)visible violence against women and their resistance 23-25 October 2019 – Adelaide (South Australia) Visual arts, performing arts and literature are instrumental in exposing the complexity of the numerous ...
Theatre for Living has evolved from Brazilian Director Augusto Boal's ‘Theatre of the Oppressed’. It is a way of communicating and working with people so that the 'living community' can tell its stories. Theatre for Living techniques have been applied ...
Job Opportunity: Lecturer in Theatre Studies, University of Melbourne Job listing: https://jobs.unimelb.edu.au/caw/en/job/912123/lecturer-in-theatre-studies. Closing date: 11 April 2023. The University of Melbourne is seeking an experienced lecturer, specialising in popular and/or contemporary theatre and performance. Applicants with research specialisations in ...
2023 Annual Conference SAVE THE DATE: 27 NOVEMBER — 1 DECEMBER The 2023 Conference theme, Archives, Artists & Absences, invites ADSA members to reflect on what is remembered and what is forgotten in our discipline, in the work that ...
Dear members, ADSA Conference 2021 Performers, Makers, Methdologies – Crafting conditions for decentring scholarship and pedagogy 30 November to 3 December, Deakin University, Geelong, Victoria As you know, we are based in regional Victoria so have been monitoring the current ...
The performing arts sector has been significantly hit by the impact of COVID-19. In 2020, we have seen theatres close, productions cancelled and many arts practitioners losing jobs. In addition to this, acting teachers in institutions and the private sector ...
Climate Collaborations: Art, Science and Future Scenarios A public symposium to be held at the University of Melbourne and Keynote address by special guest Professor Peter Eckersall, City University of New York. Tuesday 27 September 2022 9:00 – 5:00 ...
Charles Sturt University and Queensland University of Technology Present AusAct 2019: BEING RELEVANT THE AUSTRALIAN ACTOR TRAINING CONFERENCE CONFERENCE INFORMATION Queensland University of Technology are hosting the 2019 AusAct: Australian Actor Training Conference on Friday August 9 to Sunday August ...
The Art of Subsidy / The Subsidy of Art Performance Paradigm 18 (2023) — Call for Papers CALL EXTENDED TO 3 JUNE 2022 Throughout the ongoing Covid-19 pandemic, artists around the world have imagined new, better futures for subsidy: ...
We are delighted to invite you to attend the Power and Performance in the 21st Century Symposium to be held at Murdoch University on 23 and 24 April 2019. Please find attached a detailed program to explain the framing, the ...
Job Opportunity: Positions in Acting, WAAPA Details and application link: https://www.ecu.edu.au/employment-opportunities/overview. Applications close: 13 october 2023, 11.30pm (AWST). The Western Australian Academy of Performing Arts (WAAPA) is seeking skilled and experienced acting teachers to join the creative and forward-looking ...
In Australian Theatre after the New Wave, Julian Meyrick charts the history of three ground-breaking Australian theatre companies, the Paris Theatre (1978), the Hunter Valley Theatre (1976-94) and Anthill Theatre (1980-94). In the years following the controversial dismissal of Gough ...
Critical Stages CFP: Post-millennial Australasian Dramaturgy (Eds) Kathryn Kelly, Julian Meyrick, Fiona Graham, Moana Nepia & Emily Coleman This special edition aims to build on scattered accounts of Australasian dramaturgy in national and international publications over recent decades to ...
Dear colleagues, The University of Tasmania is currently recruiting for a full-time, ongoing Technical Officer (Performance) to support the activites of the Theatre and Performance program, based in Launceston. Full details and the application link can be found via ...
Call for Papers: Performance Paradigm 17 (2022) Perform or Else? Surveying the state of the discipline for the post-pandemic world Edited by Emma Willis (University of Auckland), Chris Hay (University of Queensland), and Nien Yuan Cheng (University of Sydney) ...
Registrations remain open for the Voice and Speech Trainers’ Association’s inaugural symposium in Australia. Join us from 27-29 June 2024, in Naarm (Melbourne) for three days of knowledge exchange, practical play, and lively discussion. Innovative Voice Thu 27 - Sat ...
Australasian Drama Studies Journal Call For Papers General Issue (86), April 2025 We invite submissions for the general issue of Australasian Drama Studies, Issue 86, April 2025. Submissions may be in the form of a detailed proposal (up to ...
Australasian Drama Studies